Leslie Howard

Melbourne

1512 Songs

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23 Years

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About

Australian pianist

Countdown History

2026

Nothing Stays The Same Classical

Handel in the Strand Classical

R. Clarke: Morpheus Classical

R. Clarke: Lullaby No. 1 Classical

Vaughan Williams: Romance Classical

Beethoven: Symphony No. 6 "Pastoral", Op. 68 (Transcr. Liszt for Piano): Movement I (Excerpt) Classical

2024

Eine Faust-Symphonie in drei Charakterbildern, S.647: I. Faust Classical

Eine Faust-Symphonie in drei Charakterbildern, S.647: II. Gretchen Classical

Eine Faust-Symphonie in drei Charakterbildern, S.647: III. Mephistopheles und Schlußchor Classical

Eine Faust-Symphonie in drei Charakterbildern, S.647: IV. Zweiter Schluß Classical

Eine Symphonie zu Dantes Divina Commedia, S.648: I. Inferno Classical

Eine Symphonie zu Dantes Divina Commedia, S.648: II. Purgatorio — Classical

Eine Symphonie zu Dantes Divina Commedia, S.648: III. Magnificat — Classical

Eine Symphonie zu Dantes Divina Commedia, S.648: Zweiter Schluß Classical

Rákóczi-Marsch, S.652b Classical

Beethovens 9te. Sinfonie, Op. 125 für 2 Pianoforte gesetzt von F. Liszt, S.657: I. Allegro ma non troppo un poco Maestoso Classical

Beethovens 9te. Sinfonie, Op. 125 für 2 Pianoforte gesetzt von F. Liszt, S.657: II. Molto vivace - Presto Classical

Beethovens 9te. Sinfonie, Op. 125 für 2 Pianoforte gesetzt von F. Liszt, S.657: III. Adagio molto e cantabile - Andante Moderato Classical

Beethovens 9te. Sinfonie, Op. 125 für 2 Pianoforte gesetzt von F. Liszt, S.657: IV. Presto - Allegro ma non troppo - Tempo 1º - Vi Classical

Liszt: Album-Leaf "Freudvoll und leidvoll", S. 166n Classical

Liszt: Lilie, S. 166m/1 Classical

Liszt: Album-Leaf "Die Ideale", S. 167e Classical

Liszt: Hyrc, S. 166m/2 Classical

Liszt: Die Legende vom heiligen Stanislaus, S. 688a (Fragment for Piano) Classical

Liszt: Largo in B Minor, S. 692p/1 Classical

Liszt: Mazurek, S. 166m/3 Classical

Liszt: Essai sur l'indifference, S. 692p/2 Classical

Liszt: Klavierstück in Eb-Major, S. 692n Classical

Liszt: Preludio funebre, S. 205b Classical

Liszt: Krakowiak, S. 166m/4 Classical

Liszt: Album-Leaf "Düsseldorf Preludio", S. 163f/2 Classical

Liszt: Valse oubliée No. 4, S. 215/4 Classical

Liszt: La mandragore "Ballade de l'opéra Jean de Nivelle", S. 698 Classical

Liszt: Album-Leaf in G Major "Dante-Symphony Progression", S. 167f Classical

Liszt: Galop de bal, S. 220 Classical

Liszt: Album-Leaf "Agnus Dei of the Missa solemnis", S. 167c Classical

Liszt: Winzerchor "Prometheus", S. 692e (Fragment) Classical

Liszt: Album-Leaf "Ave Maria", S. 164q Classical

Liszt: Etude en 12 exercices, S. 136: No. 1 in C Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 2 in A Minor Classical

Liszt: Etude en 12 exercices, S. 136: No. 3 in F Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 4 in D Minor Classical

Liszt: Etude en 12 exercices, S. 136: No. 5 in B-Flat Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 6 in G Minor Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 23 in C-Sharp Minor "Rêves et fantaisies" (1st Version of S. 244/1) Classical

Liszt: La lugubre gondola (Die Trauer-Gondel), S. 199a (1883 Rev. Version) Classical

Liszt: Bülow-Marsch, S. 229b (Draft Version) Classical

Liszt: Dem Andenken Petőfis, S. 195 (2nd Version) Classical

Liszt: Den Schutz-Engeln (Angelus! Prière à l'ange gardien), S. 162a/1 (1st Version) Classical

Liszt: Den Zypressen der Villa d'Este [I], S. 162b/1 Classical

Liszt: Album-Leaf "Aus dem Mephisto-Walzer", S. 167m/2 Classical

Liszt: Danse des sylphes de La damnation de Faust de Hector Berlioz, S. 474a (1st Version) Classical

Liszt: Maometto II de Rossini "Fantaisie", S. 421b Classical

Liszt: Album-Leaf "Dublin", S. 164r Classical

Liszt: Album-Leaf "An die Künstler I", S. 166t/1 Classical

Liszt: Album-Leaf "An die Künstler II", S. 166t/2 Classical

Liszt: Kavallerie-Geschwindmarsch, S. 460 Classical

Rubinstein: Piano Quartet in F Major, Op. 55a: I. Allegro non troppo Classical

Rubinstein: Piano Quartet in F Major, Op. 55a: II. Scherzo. Allegro assai Classical

Rubinstein: Piano Quartet in F Major, Op. 55a: III. Andante con moto Classical

Rubinstein: Piano Quartet in F Major, Op. 55a: IV. Allegro appassionato Classical

Rubinstein: Piano Quartet in C Major, Op. 66: I. Allegro moderato Classical

Rubinstein: Piano Quartet in C Major, Op. 66: II. Allegro vivace Classical

Rubinstein: Piano Quartet in C Major, Op. 66: III. Andante assai Classical

Rubinstein: Piano Quartet in C Major, Op. 66: IV. Allegro non troppo ma con fuoco Classical

Liszt: Romancero espagnol, S. 695c: I. Introduction and Fandango with Variations Classical

Liszt: Romancero espagnol, S. 695c: II. Elaboration of an Unidentified Theme Classical

Liszt: Romancero espagnol, S. 695c: III. Jota aragonesa and Coda Classical

Liszt: Christus, 2 Stücke aus dem Oratorium, S. 498c: Ia. Einleitung Classical

Liszt: Christus, 2 Stücke aus dem Oratorium, S. 498c: Ib. Pastorale Classical

Liszt: Christus, 2 Stücke aus dem Oratorium, S. 498c: II. Das Wunder Classical

Liszt: Magnificat in F Major for Piano, S. 182a Classical

Liszt: 3 Chansons, S. 510a: No. 1, La consolation Classical

Liszt: 3 Chansons, S. 510a: No. 2, Avant la bataille Classical

Liszt: 3 Chansons, S. 510a: No. 3, L'espérance Classical

Liszt: Album-Leaf "Andantino in A-Flat Major", S. 166p Classical

Liszt: Album-Leaf in G Major, S. 166q Classical

Liszt: Variations on "Tiszántuli szép léany", S. 384a Classical

Liszt: Lyubila ya "Romance" de Wielhorsky, S. 577 (1st Version, Unpublished) Classical

Liszt: Schlummerlied, S. 186/7a (3rd Version) Classical

Liszt: Valse-impromptu, S. 213b (3rd Version) Classical

Liszt: Lyubila ya "Romance" de Wielhorsky, S. 577 (2nd Version, Unpublished) Classical

Liszt: Marche des pèlerins de la symphonie Harold en Italie de Berlioz, S. 473 (1st Version) Classical

Liszt: Einzug der Gäste auf Wartburg. March from Tannhäuser, S. 445 No. 1 (1st Version, After Wagner) Classical

Liszt: Adagio non troppo, S. 151a Classical

Liszt: Album-Leaf "Andantino in E-Flat Major" (Complete), S. 163a/2 Classical

Liszt: Album-Leaf "Andante in E-Flat Major", S. 167r Classical

Liszt: Album-Leaf in C Major "Lyon", S. 167s Classical

Liszt: Album-Leaf "Quasi mazurek in C Major", S. 163e Classical

Liszt: Album-Leaf "Adagio-religioso in C Major", S. 164l Classical

Rossini: Petit caprice "Style Offenbach" Classical

Busoni: Serenade "Deh vieni alla finestra" from Mozart's Don Giovanni Classical

Gershwin: Promenade "Walking the Dog" Classical

Reger: Schlichte Weisen, Op. 76: No. 52, Mariä Wiegenlied Classical

Grainger: Blithe Bells (Arr. of "Sheep May Safely Graze" from J.S. Bach, BWV 208) Classical

Wagner: Albumblatt "in das Album der Fürstin M(etternich)", WWV 94 Classical

Friedman: Viennese Dance No. 2, on Motifs by Eduard Gärtner Classical

Rachmaninoff: Romance in E-Flat, Op. 8 No. 2 (Arr. Siloti) Classical

Moszkowski: Chanson Bohème from Bizet's Carmen Classical

Rubinstein: Valse-caprice in E-Flat Major Classical

Grieg: Piano Pieces After Original Songs I, Op. 41: III. Ich liebe dich Classical

Liszt: Soirées de Vienne, S. 427: Valse-caprice No. 6 in A Minor. Allegro con strepito (After Schubert, D. 969/9) Classical

Bruckner: Erinnerung for Piano, WAB 117 Classical

Liszt: Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti, S. 214/3 Classical

Leslie Howard: Yuletide Pastoral, Op. 33a Classical

Leslie Howard: Réminiscences de l'opéra "La Wally" de Catalani, Op. 24a Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: I. [Untitled] in E-Flat Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: II. Langueur? in C Minor Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: III. [Untitled] in E Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: IV. Dernière illusion (?) in D-Flat Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: V. [untitled] in G-Flat Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: VI. Attente in A Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: VII. Alternative in E Major Classical

Liszt: Préludes et Harmonies poétiques et religieuses II, S. 171d: VIII. M.K. in D-Flat Major Classical

Liszt: Concerto sans orchestre, S. 524a Classical

Liszt: Album-Leaf "Magyar in B-Flat Minor", S. 164e (2nd Version) Classical

Liszt: Ungarischer Marsch in B-Flat Major, S. 229a Classical

Liszt: Pensées "Nocturne", S. 168b Classical

Liszt: Album-Leaf in D Major, S. 164h Classical

Liszt: Album-Leaf "Preludio", S. 164j Classical

Liszt: Album-Leaf in A-Flat Major, S. 166l Classical

Liszt: Album-Leaf, S. 167h Classical

Liszt: O lieb, so lang du lieben kannst!, S. 540a Classical

Liszt: Zigeuner-Epos, S. 695b: No. 1 in C Minor. Lento Classical

Liszt: Zigeuner-Epos, S. 695b: No. 2 in C Major. Andantino Classical

Liszt: Zigeuner-Epos, S. 695b: No. 3 in D-Flat Major. Sehr langsam Classical

Liszt: Zigeuner-Epos, S. 695b: No. 4 in C-Sharp Major. Animato Classical

Liszt: Zigeuner-Epos, S. 695b: No. 5 in D-Flat Major. Tempo giusto Classical

Liszt: Zigeuner-Epos, S. 695b: No. 6 in G Minor. Lento Classical

Liszt: Zigeuner-Epos, S. 695b: No. 7 in A Minor. Rákóczi-Marsch. Tempo di marcia Classical

Liszt: Zigeuner-Epos, S. 695b: No. 8 in D Major. Adagio sostenuto a capriccio Classical

Liszt: Zigeuner-Epos, S. 695b: No. 9 in E-Flat Major. Andante cantabile quasi adagio Classical

Liszt: Zigeuner-Epos, S. 695b: No. 10 in F Major. Lento Classical

Liszt: Zigeuner-Epos, S. 695b: No. 11 in A Minor. Lento Classical

Liszt: Célèbre mélodie hongroise, S. 243a Classical

Liszt: Aux anges gardiens (Den Schutz-Engeln), S. 162a/1a (2nd Version) Classical

Liszt: Sunt lacrymae rerum – in ungarischen Weise, S. 162d Classical

Liszt: Postludium – Nachspiel – Sursum corda!, S. 162f Classical

Liszt: La lugubre gondola (Die Trauer-Gondel), S. 199a (1882 Original Version) Classical

Liszt: Album-Leaf in F-Sharp Minor, S. 163a/1 Classical

Liszt: Album-Leaf in A Major "Friska", S. 166k Classical

Liszt: Hungarian Rhapsody No. 1 in C-Sharp Minor S. 244/1 Classical

Liszt: Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 Classical

Liszt: Hungarian Rhapsody No. 3 in B-Flat Major, S. 244/3 Classical

Liszt: Hungarian Rhapsody No. 4 in E-Flat Major, S. 244/4 Classical

Liszt: Hungarian Rhapsody No. 5 in E Minor, S. 244/5 "Heroïde-Elégiaque" Classical

Liszt: Hungarian Rhapsody No. 6 in D-Flat Major, S. 244/6 Classical

Liszt: Hungarian Rhapsody No. 7 in D Minor, S. 244/7 Classical

Liszt: Hungarian Rhapsody No. 8 in F-Sharp Minor, S. 244/8 Classical

Liszt: Hungarian Rhapsody No. 9 in E-Flat Major, S. 244/9 "Le carnaval de Pest" Classical

Liszt: Hungarian Rhapsody No. 10 in E Major, S. 244/10 Classical

Liszt: Hungarian Rhapsody No. 11 in A Minor, S. 244/11 Classical

Liszt: Hungarian Rhapsody No. 12 in C-Sharp Minor, S. 244/12 Classical

Liszt: Hungarian Rhapsody No. 13 in A Minor, S. 244/13 Classical

Liszt: Hungarian Rhapsody No. 14 in F Minor, S. 244/14 Classical

Liszt: Hungarian Rhapsody No. 15 in A Minor, S. 244/15 "Rákóczy March" Classical

Liszt: Hungarian Rhapsody No. 16 in A Minor, S. 244/16 (2nd Version) Classical

Liszt: Hungarian Rhapsody No. 17 in D Minor, S. 244/17 Classical

Liszt: Hungarian Rhapsody No. 18 in F-Sharp Minor, S. 244/18 Classical

Liszt: Hungarian Rhapsody No. 19 in D Minor, S. 244/19 Classical

Liszt: Orpheus, Symphonic Poem No. 4, S. 511b (Version for Piano) Classical

Liszt: Fantasia & Fugue in G Minor, S. 463/1 (After Bach, BWV 542): I. Fantasie Classical

Liszt: Fantasia & Fugue in G Minor, S. 463/1 (After Bach, BWV 542): II. Fuge Classical

Liszt: My Joys, S. 480/5a (After Chopin, Op. 74/12, 2nd Version) Classical

Liszt: Liebeslied "Widmung", S. 566a (1st Draft, After Schumann, Op. 25/1) Classical

Liszt: Marche pour le Sultan Abdul Medjid-Khan, S. 403 (2nd Version) Classical

Liszt: Caritas nach Rossini, S. 552a Classical

Liszt: Il penseroso, S. 157b Classical

Liszt: Canzonetta del Salvator Rosa, S. 157c Classical

Liszt: En mémoire de Maximilian I, S. 162e Classical

Liszt: Album-Leaf in A-Flat "Portugal", S. 166b Classical

Liszt: Album-Leaf "Première consolation", S. 171b Classical

Liszt: Pastorale. Schnitter-Chor aus dem Entfesselten Prometheus, S. 507a (1st Version) Classical

Liszt: Künstlerfestzug zur Schillerfeier, S. 520 (1st Version) Classical

Liszt: Festklänge, Symphonic Poem No. 7, S. 511d (Version for Piano) Classical

Liszt: La caritá, S. 552b (After Rossini) Classical

Liszt: La serenata e l'orgia – Grande fantaisie sur des motifs des Soirées Musicales de Rossini, S. 422 (1st Version) Classical

Liszt: Introduction des Variations sur une marche du Siège de Corinthe, S. 421a (Fragment) Classical

Liszt: Klavierstück in F Major, S. 695 Classical

Liszt: Fantasy on English Themes (God Save the Queen & Rule, Britannia), S. 694 (Compl. Howard) Classical

Liszt: Anfang einer Jugendsonate, S. 692b (Fragment) Classical

Liszt: Album-Leaf "Andantino in E-Flat Major" (Incomplete), S. 163a/2 Classical

Liszt: Album-Leaf "Ah, vous dirai-je maman", S. 163b Classical

Liszt: Album-Leaf in C Minor "Pressburg", S. 163c Classical

Liszt: Album-Leaf in E Major "Vienna", S. 164a Classical

Liszt: Grande fantaisie de bravoure sur La clochette, S. 420 (After Paganini, Op. 7) Classical

Liszt: Petite valse favorite, S. 212 (1st Version) Classical

Liszt: Valse mélancolique, S. 210 Classical

Liszt: Mélodie polonaise, S. 249a Classical

Liszt: Légendes, S. 175: II. St François de Paule marchant sur les flots Classical

Liszt: Mephisto Waltz No. 4, S. 216b (1st Version) Classical

Liszt: Valse-impromptu, S. 213a (2nd Version) Classical

Liszt: Valse mélancolique, S. 210a (1st Version) Classical

Liszt: Album d'un voyageur, S. 156: II. Le lac de Wallenstadt Classical

Liszt: Den Schutz-Engeln (Angelus! Prière à l'ange gardien), S. 162a/2 (3rd Version) Classical

Liszt: Den Cypressen der Villa d'Este – Thrénodie, S. 162b Classical

Liszt: Variations on Le Carnaval de Venise by Paganini, S. 700a Classical

Liszt: Hungaria, Symphonic Poem No. 9, S. 511e (Version for Piano) Classical

Liszt: Rákóczi-Marsch, S. 244b Classical

Liszt: Sunt lacrymae rerum, S. 162c Classical

Liszt: Die heiligen Elisabeth, 2 Stücke, S. 693a: I. Das Rosenmirakel Classical

Liszt: Die heiligen Elisabeth, 2 Stücke, S. 693a: II. Der Sturm Classical

Liszt: Valse oubliée No. 3, S. 215/3a (2nd Version) Classical

Liszt: Grand galop chromatique, S. 219a (2nd Version) Classical

Liszt: Huldigungsmarsch, S. 228 (1st Version) Classical

Liszt: Grande fantasie sur des thèmes de Paganini, S. 700 (1st Version) Classical

Liszt: Den Schutz-Engeln (Angelus! Prière à l'ange gardien), S. 162a/3 (4th Version) Classical

Liszt: Historische ungarische Bildnisse, S. 205a: I. Széchényi István Classical

Liszt: Historische ungarische Bildnisse, S. 205a: II. Deák Ferenc Classical

Liszt: Grande fantaisie sur la tyrolienne de "La fiancée" d'Auber, S. 385 (1st Version) Classical

Liszt: Concert Paraphrase on Ernani (I), S. 431a (After Verdi) Classical

Liszt: Fantaisie dramatique sur Les Huguenots de Meyerbeer, S. 412 (2nd Version) Classical

Liszt: Fantaisie sur des motifs favoris de l'opéra "La sonnambula" de Bellini, S. 393 (1st Version) Classical

Liszt: Marche des Tcherkesses from "Ruslan and Lyudmila" by Glinka, S. 406 (1st Version) Classical

Liszt: Valse à capriccio sur 2 motifs de "Lucia" et "Parisina" de Donizetti, S. 401 Classical

Liszt: Tannhäuser Overture. Concert Paraphrase, S. 442 (After Wagner) Classical

Liszt: Réminiscences des Puritains, Grande fantaisie, S. 390/2 (After Bellini) Classical

Liszt: Freischütz Fantasie, S. 451 Classical

Liszt: Réminiscences de La Scala, S. 458 (After Mercadante etc.) Classical

Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso. Tempo giusto Classical

Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio Classical

Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace – Allegro animato Classical

Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato Classical

Liszt: Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: I. Tempo di marcia. Moderato Classical

Liszt: Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: II. Cadenza del pianoforte – Allegro vivace ma non troppo – Classical

Liszt: Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: III. Allegretto – Poco a poco più mosso – Vivo – Tempo di m Classical

Liszt: Totentanz, S. 126/2: Introduction. Andante – Presto – Allegro – Allegro moderato Classical

Liszt: Totentanz, S. 126/2: Var. 1. Allegro moderato Classical

Liszt: Totentanz, S. 126/2: Var. 2. [L'istesso tempo] – Un poco animato Classical

Liszt: Totentanz, S. 126/2: Var. 3. Molto vivace Classical

Liszt: Totentanz, S. 126/2: Var. 4, "Canonique". Lento – Presto Classical

Liszt: Totentanz, S. 126/2: Var. 5. Vivace. Fugato – Cadenza Classical

Liszt: Totentanz, S. 126/2: Var. 6. Sempre allegro, ma non troppo – Un poco meno allegro – Cadenza – Presto – Allegro animato Classical

Liszt: Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): I. Lento Classical

Liszt: Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): II. Allegro vivace – Andantino, senza interr Classical

Liszt: Malédiction for Piano and Strings, S. 121: I. Quasi moderato – Sostenuto – Molto agitato – Calmato Classical

Liszt: Malédiction for Piano and Strings, S. 121: II. Un poco più animato – Un poco agitato – Vivo – Sempre più di fuoco Classical

Liszt: Malédiction for Piano and Strings, S. 121: III. Energico nobilmente – Sempre moderato, a tempo rubato – Sostenuto – Recit. Classical

Liszt: Malédiction for Piano and Strings, S. 121: IV. Animato con agitazione – Molto animato, quasi presto – Stretto – Strepitoso Classical

Liszt: Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): I. Andantino – Recitativo del pianoforte Classical

Liszt: Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): II. Allegro – Tempo primo Classical

Liszt: Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): III. Andante Classical

Liszt: Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): IV. Tempo primo – Allegro come prima Classical

Liszt: Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): V. Allegro vivace – Più mosso Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: Ia. Adagio sostenuto assai – Un poco più mosso Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: Ib. L'istesso tempo Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: II. Allegro agitato assai Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: III. Allegro moderato Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: IVa. Allegro deciso Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: IVb. Sempre allegro – Va. Marziale, un poco meno allegro – Un poco animato Classical

Liszt: Piano Concerto No. 2 in A Major, S. 125: Vb. Un poco meno mosso – VI. Allegro animato Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: I. Andante Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: II. L'istesso tempo Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: III. Cadenza del pianoforte – A tempo Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: IV. Allegro moderato. Tempo di polacca Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: V. Tempo primo Classical

Liszt: De profundis (Psaume instrumentale), S. 121a: VI. Allegro marziale Classical

Liszt: Wanderer Fantasy, S. 366 (After Schubert, D. 760, Version for Piano & Orchestra): I. Allegro con fuoco ma non troppo Classical

Liszt: Historische ungarische Bildnisse, S. 205: II. Eötvös József Classical

Liszt: Historische ungarische Bildnisse, S. 205: III. Vörösmarty Mihály Classical

Liszt: Historische ungarische Bildnisse, S. 205: IV. Teleki László Classical

Liszt: Historische ungarische Bildnisse, S. 205: V. Deák Ferenc Classical

Liszt: Historische ungarische Bildnisse, S. 205: VI. Petöfi Sándor Classical

Liszt: Historische ungarische Bildnisse, S. 205: VII. Mosonyi Mihály Classical

Liszt: Puszta Wehmut, S. 246 Classical

Liszt: Ungarns Gott, S. 543a (Version for Piano Left Hand) Classical

Liszt: Années de pèlerinage III, S. 163: I. Angelus! Prière aux anges gardiens Classical

Liszt: Années de pèlerinage III, S. 163: II. Aux cyprès de la Villa d'Este. Thrénodie I Classical

Liszt: Années de pèlerinage III, S. 163: III. Aux cyprès de la Villa d'Este. Thrénodie II Classical

Liszt: Années de pèlerinage III, S. 163: IV. Les jeux d'eaux à la Villa d'Este Classical

Liszt: Années de pèlerinage III, S. 163: V. Sunt lacrymae rerum. En mode hongrois Classical

Liszt: Années de pèlerinage III, S. 163: VI. Marche funèbre. En mémoire de Maximilien I, Empereur du Mexique Classical

Liszt: Années de pèlerinage III, S. 163: VII. Sursum corda. Erhebet eure Herzen Classical

Liszt: Schlaflos! Frage und Antwort, Nocturne, S. 203 Classical

Liszt: Nuages gris "Trübe Wolken", S. 199 Classical

Liszt: Recueillement – Vincenzo Bellini in memoriam, S. 204 Classical

Liszt: Toccata in C Major, S. 197a Classical

Liszt: Resignazione, S. 187a (1st Version) Classical

Liszt: Wiegenlied. Chant du berceau, S. 198 Classical

Liszt: Unstern! (Sinistre), S. 208 Classical

Liszt: Carrousel de Madame Pelet-Narbonne, S. 214a Classical

Liszt: 5 Klavierstücke, S. 192: No. 5, Sospiri. Andante Classical

Liszt: Schlaflos! Frage und Antwort, Nocturne, S. 203 (Alternative Version) Classical

Liszt: Klavierstück in F-Sharp Major, S. 193 Classical

Liszt: 5 Klavierstücke, S. 192: No. 1 in E Major Classical

Liszt: 5 Klavierstücke, S. 192: No. 2 in A-Flat Major Classical

Liszt: En rêve, Nocturne, S. 207 Classical

Liszt: 5 Klavierstücke, S. 192: No. 3 in F-Sharp Major Classical

Liszt: Romance oubliée, S. 527 Classical

Liszt: 5 Klavierstücke, S. 192: No. 4 in F-Sharp Major Classical

Liszt: La lugubre gondola I, S. 200 No. 1 Classical

Liszt: La lugubre gondola II, S. 200 No. 2 Classical

Liszt: R.W. – Venezia, S. 201 (Homage to Richard Wagner) Classical

Liszt: Am Grabe Richard Wagners, S. 202 Classical

Liszt: Abschied (Russisches Volkslied), S. 251 Classical

Liszt: Der blinde Sänger, S. 546 Classical

Liszt: Ungarns Gott, S. 543 Classical

Liszt: Ungarisches Königslied, S. 544 Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: I. Inroduction. Extrêmement lent Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: II. Theme. Allegro marziale Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: III. Var. 1. Ben marcato (Thalberg) Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: IV. Var. 2. Moderato Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: V. Var. 3. Di bravura, Allegro animato (Pixis) Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: VI. Var. 4. Legato e grazioso (Herz) Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: VII. Var. 5. Vivo e brillante (Czerny) – Interlude 1. Fuo Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: VIII. Var. 6. Largo, KK IIb/2 (Chopin) – Interlude 2 (Lis Classical

Liszt: Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 392: IX. Finale: Molto vivace quasi prestissimo – Allegro anim Classical

Liszt: La Marquise de Blocqueville, S. 190: I. Tempo rubato (Herz) Classical

Liszt: La Marquise de Blocqueville, S. 190: II. Lento e religioso (Planté) Classical

Liszt: La Marquise de Blocqueville, S. 190: III. Même mouvement mais avec incertitude Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Ia. Rêveries. Largo Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Ib. Passions. Allegro agitato e a Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: II. Un bal. Valse, Allegro non tr Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: III. Scène aux champs. Adagio Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: IV. Marche au supplice. Allegrett Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Va. Songe d'une nuit du Sabbat. L Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Vb. Allegro assai Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Vc. Allegro Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Vd. Lontano. Dies irae Classical

Liszt: Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S. 470: Ve. Ronde du Sabbat Classical

Liszt: Piano Sonata in B Minor, S. 178: Ia. Lento assai Classical

Liszt: Piano Sonata in B Minor, S. 178: Ib. Allegro energico Classical

Liszt: Piano Sonata in B Minor, S. 178: IIa. Grandioso Classical

Liszt: Piano Sonata in B Minor, S. 178: IIb. Cantando espressivo Classical

Liszt: Piano Sonata in B Minor, S. 178: IIb. (Continued) Incalzando Classical

Liszt: Piano Sonata in B Minor, S. 178: IIb. (Continued) Marcatissimo – IIc. Pesante – Recitativo Classical

Liszt: Piano Sonata in B Minor, S. 178: III. Andante sostenuto Classical

Liszt: Piano Sonata in B Minor, S. 178: IVa. Allegro energico (Fugato) – Classical

Liszt: Piano Sonata in B Minor, S. 178: IVa. (Continued). Recapitulation Classical

Liszt: Piano Sonata in B Minor, S. 178: IVb. Più mosso Classical

Liszt: Piano Sonata in B Minor, S. 178: IVb. (Continued). 2nd Subject Reprise Classical

Liszt: Piano Sonata in B Minor, S. 178: IVc. Stretta – IVd. Presto – Prestissimo Classical

Liszt: Piano Sonata in B Minor, S. 178: V. Andante sostenuto Classical

Liszt: Elegy No. 1, S. 196 Classical

Liszt: Elegy No. 2, S. 197 Classical

Liszt: Consolations, S. 172: No. 1 in E Major. Andante con moto Classical

Liszt: Consolations, S. 172: No. 2 in E Major. Un poco più mosso Classical

Liszt: Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido Classical

Liszt: Consolations, S. 172: No. 4 in D-Flat Major. Quasi adagio Classical

Liszt: Consolations, S. 172: No. 5 in E Major. Andantino Classical

Liszt: Consolations, S. 172: No. 6 in E Major. Allegretto sempre cantabile Classical

Liszt: Andante soave "Gretchen" aus Faust-Symphonie, S. 513 (Arr. Tausig & Liszt) Classical

Liszt: Totentanz, S. 525 (Version for Solo Piano) Classical

Liszt: Weihnachtsbaum, S. 186: I. Psallite. Altes Weihnachtslied Classical

Liszt: Weihnachtsbaum, S. 186: II. O heilige Nacht. Weihnachtslied nach einer alten Weise Classical

Liszt: Weihnachtsbaum, S. 186: III. Die Hirten an der Krippe. In dulci iubilo Classical

Liszt: Weihnachtsbaum, S. 186: IV. Adeste fideles. Gleichsam als Marsch der heiligen drei Könige Classical

Liszt: Weihnachtsbaum, S. 186: V. Scherzoso. Man zundet die Kerzen des Baumes an Classical

Liszt: Weihnachtsbaum, S. 186: VI. Carillon Classical

Liszt: Weihnachtsbaum, S. 186: VII. Schlummerlied Classical

Liszt: Weihnachtsbaum, S. 186: VIII. Altes provenzalisches Weihnachtslied Classical

Liszt: Weihnachtsbaum, S. 186: IX. Abendglocken Classical

Liszt: Weihnachtsbaum, S. 186: X. Ehemals! Classical

Liszt: Weihnachtsbaum, S. 186: XI. Ungarisch Classical

Liszt: Weihnachtsbaum, S. 186: XII. Polnisch Classical

Liszt: Weihnachtslied "Christus ist geboren", S. 502 Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Introduction. Vexilla regis prodeunt Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 1. Jesus Is Condemned to Death Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 2. Jesus Takes Up the Cross Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 3. Jesus Falls the First Time Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 4. Jesus Meets His Blessed Mother Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 5. Simon of Cyrene Helps Jesus Carry the Cross Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 6. Veronica Wipes the Face of Jesus Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 7. Jesus Falls the Second Time Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 8. The Women of Jerusalem Weep for Jesus Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 9. Jesus Falls the Third Time Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 10. Jesus Is Stripped of His Clothes Classical

Liszt: Via Crucis, S. 504a (Solo Piano Version): Station 11. Jesus Is Nailed to the Cross Classical

Liszt: Ave Maria "Die Glocken von Rom", S. 182 Classical

Liszt: Ave maris stella, S. 506 (Piano Arr. of S. 34/2) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): I. Invocation Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): II. Hymne du matin Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): III. Hymne de la nuit Classical

Liszt: Harmonies poétiques et religieuses I, S. 154 Classical

Liszt: Harmonies poétiques et religieuses, S. 173: I. Invocation Classical

Liszt: Harmonies poétiques et religieuses, S. 173: II. Ave Maria Classical

Liszt: Harmonies poétiques et religieuses, S. 173: III. Bénédiction de Dieu dans la solitude Classical

Liszt: Harmonies poétiques et religieuses, S. 173: IV. Pensée des morts Classical

Liszt: Harmonies poétiques et religieuses, S. 173: V. Pater noster Classical

Liszt: Harmonies poétiques et religieuses, S. 173: VI. Hymne de l'Enfant à son réveil Classical

Liszt: Harmonies poétiques et religieuses, S. 173: VII. Funérailles Classical

Liszt: Harmonies poétiques et religieuses, S. 173: VIII. Miserere d'après Palestrina Classical

Liszt: Harmonies poétiques et religieuses, S. 173: IX. Andante lagrimoso Classical

Liszt: Harmonies poétiques et religieuses, S. 173: X. Cantique d'amour Classical

Liszt: Alleluia, S. 183 No. 1 Classical

Liszt: Ave Maria d'Arcadelt, S. 183 No. 2 Classical

Liszt: In domum Domini ibimus, S. 505 Classical

Liszt: O Roma nobilis, S. 506b Classical

Liszt: Slavimo slavno, Slaveni!, S. 503 Classical

Liszt: Ave Maria II, S. 504 (1st Version) Classical

Liszt: Ave Maria II, S. 504 (2nd Version) Classical

Liszt: Hymne du Pape, S. 530 Classical

Liszt: In festo transfigurationis Domini nostri Jesu Christi, S. 188 Classical

Liszt: Der Freischütz Overture, S. 575 (Arr. for Piano After Weber) Classical

Liszt: Réminiscences de Don Juan, Grande fantaisie, S. 418 (After Mozart) Classical

Liszt: Aida. Danza sacra e duetto finale, S. 436 (After Verdi) Classical

Liszt: Polonaise from Eugen Onegin, S. 429 (After Tchaikovsky) Classical

Liszt: Tscherkessenmarsch aus Glinkas Oper "Ruslan and Lyudmila", S. 406 No. 2 Classical

Liszt: Sarabande und Chaconne über Themen aus dem Singspiel Almira, S. 181 Classical

Liszt: Bénédiction et Serment, 2 motifs de Benvenuto Cellini de Berlioz, S. 396 Classical

Liszt: Valse de l'opéra Faust de Gounod, S. 407 Classical

Liszt: Isoldens Liebestod, S. 447 (After Wagner, Tristan und Isolde) Classical

Liszt: Réminiscences de Lucia di Lammermoor, S. 397 (After Donizetti) Classical

Liszt: Marche et cavatine de Lucia di Lammermoor de Donizetti, S. 398 Classical

Liszt: Halloh! Jagdchor und Steyrer aus der Oper "Tony" von Ernst Herzog zu Sachsen-Coburg-Gotha, S. 404 Classical

Liszt: Illustrations de l'opéra L'Africaine de Meyerbeer, S. 415: I. Prière des matelots "Ô grand Saint Dominique" Classical

Liszt: Illustrations de l'opéra L'Africaine de Meyerbeer, S. 415: II. Marche indienne Classical

Liszt: Prière et Berceuse de La muette de Portici d'Auber, S. 387: I. Introduction Classical

Liszt: Prière et Berceuse de La muette de Portici d'Auber, S. 387: II. Prière Classical

Liszt: Prière et Berceuse de La muette de Portici d'Auber, S. 387: III. Berceuse Classical

Liszt: Klavierstück über ein fremdes Thema, S. 387 No. 2 Classical

Liszt: Réminiscences de Norma, Grande fantaisie, S. 394 (After Bellini) Classical

Saint-Saëns: Danse macabre, S. 555 (After Saint-Saëns, Op. 40) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 1, The Maiden's Wish (After Op. 74/1) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 2, Spring (After Op. 74/2) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 3, The Ring (After Op. 74/14) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 4, Merrymaking (After Op. 74/4) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 5, My Joys (After Op. 74/12) Classical

Liszt: 6 Chants polonais de Frédéric Chopin, S. 480: No. 6, The Bridegroom (After Op. 74/15) Classical

Liszt: L'idée fixe. Andante amoroso d'après une mélodie de Berlioz, S. 470a/1 (Formerly S. 395) Classical

Liszt: Les francs-juges Overture, S. 471 (After Berlioz) Classical

Liszt: Marche des pèlerins de la symphonie Harold en Italie de Berlioz, S. 473 (2nd Version) Classical

Liszt: Danse des sylphes de La damnation de Faust de Hector Berlioz, S. 475 Classical

Liszt: Le Roi Lear Overture, S. 474 (Arr. for Piano After Berlioz) Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: I. Preludio. Presto Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: II. Molto vivace Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage. Poco adagio Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: IV. Mazeppa. Presto Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: V. Feux follets. Allegretto Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: VI. Vision. Lento Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: VII. Eroica. Allegro Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: VIII. Wilde Jagd. Presto furioso Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: IX. Ricordanza, Andantino Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: X. Etude in F Minor. Allegro agitato molto Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: XI. Harmonies du soir. Andantino Classical

Liszt: 12 Etudes d'exécution transcendante, S. 139: XII. Chasse-neige. Andante con moto Classical

Liszt: Valse de Marie, S. 212a Classical

Liszt: Adagio, S. 158d Classical

Louis Ferdinand of Prussia: Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S. 168ii Classical

Liszt: Fantasie und Fuge über das Thema B-A-C-H, S. 529/2 Classical

Liszt: Weinen, Klagen, Sorgen, Zagen "Präludium nach Johann Sebastian Bach", S. 179 Classical

Liszt: Variations on Weinen, Klagen, Sorgen, Zagen, S. 180 Classical

Liszt: Les morts. Oraison, S. 516 (Arr. of S. 112 No. 1) Classical

Liszt: La notte, S. 516a (Arr. of S. 112 No. 2) Classical

Liszt: Le triomphe funèbre du Tasse, S. 517 (Arr. of S. 112 No. 3) Classical

Liszt: Grosses Konzertsolo, S. 176 Classical

Liszt: Ballade No. 1, S. 170 "Le chant du croisé" Classical

Liszt: Ballade No. 2, S. 171 Classical

Liszt: Légendes, S. 175: I. St François d'Assise: La prédication aux oiseaux Classical

Liszt: Berceuse in D-Flat Major, S. 174 Classical

Liszt: Impromptu, S. 191 (2nd Version) Classical

Liszt: Klavierstück, S. 189 Classical

Liszt: Polonaise mélancolique (No. 1) in C Minor, S. 223/1 Classical

Liszt: Polonaise No. 2 in E Major, S. 223/2 Classical

Liszt: Valse oubliée No. 2 in A-Flat Major, S. 215/2 Classical

Liszt: Mephisto Waltz No. 2, S. 515 Classical

Liszt: Valse oubliée No. 3, S. 215/3 Classical

Liszt: Mephisto Waltz No. 3, S. 216 Classical

Liszt: Mephisto Waltz No. 4, S. 696 (2nd Version) Classical

Liszt: Ländler, S. 211 Classical

Liszt: Albumblatt in Walzerform, S. 166 Classical

Liszt: Valse-impromptu, S. 213 Classical

Liszt: Caprice-valse No. 2 "mélancolique", S. 214/2 Classical

Liszt: Caprice-valse No. 1 "de bravoure", S. 214/1 Classical

Liszt: Bagatelle sans tonalité, S. 216a Classical

Liszt: Valse oubliée No. 1 in F-Sharp Major, S. 215/1 Classical

Liszt: Mephisto Waltz No. 1, S. 514 Classical

Meeresstille, S. 558 no. 5a (After Schubert, D. 216) Classical

12 Lieder von Robert Franz, S. 489: No. 8a, Der Bote (after op. 8/1) Classical

Liszt: Wanderer Fantasy, S. 366 (After Schubert, D. 760, Version for Piano & Orchestra): II. Adagio Classical

Liszt: Wanderer Fantasy, S. 366 (After Schubert, D. 760, Version for Piano & Orchestra): III. Presto Classical

Liszt: Wanderer Fantasy, S. 366 (After Schubert, D. 760, Version for Piano & Orchestra): IV. Allegro Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): I. Allegro energico ed appassionato, m Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): II. Grandioso, un poco meno allegro – Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): III. Andante sostenuto Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): IV. Allegro agitato assai – Più modera Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): V. Più mosso – Stretta Classical

Liszt: Concerto pathétique in E Minor, S. 365a (Reuss/Liszt Version for Piano & Orchestra): VI. Lento quasi marcia funèbre – Andan Classical

Liszt: Konzertstück in F Minor, S. 367a (After Weber, Op. 79): I. Larghetto affettuoso Classical

Liszt: Konzertstück in F Minor, S. 367a (After Weber, Op. 79): II. Allegro passionato – Adagio Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 1 in F Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 2 in A Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 3 in A Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 4 in A Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 5 in D Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 6 in A Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 7 in A Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 8 in D Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 9 in A Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 10 in G Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 11 in F Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 12 in C Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 13 in F-Sharp Minor Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 14 in D Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 15 in D Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 16 in C Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 17 in A Major Classical

Liszt: Ungarischer Romanzero, S. 241a: No. 18 in A Major Classical

Liszt: Marches dans le genre hongrois, S. 693 (Compl. Howard): March No. 1 in D Minor Classical

Liszt: Marches dans le genre hongrois, S. 693 (Compl. Howard): March No. 2 in B-Flat Minor Classical

Liszt: Paralipomènes à la Divina Commedia, S. 158 (1st Version) Classical

Liszt: Sposalizio, S. 157a Classical

Liszt: Grand solo de concert, S. 175a Classical

Liszt: Elégie "Die Zelle im Nonnenwerth", S. 534 (1841 1st Version) Classical

Liszt: Romance oubliée, S. 527 (1880 Draft Revision) Classical

Liszt: Paralipomènes à la Divina Commedia, S. 158 (2nd Version) Classical

Liszt: Prelude & Fugue on B-A-C-H, S. 529 (1st Version) Classical

Liszt: Weihnachtsbaum, S. 185a: I. Psallite. Altes Weihnachtslied Classical

Liszt: Weihnachtsbaum, S. 185a: II. O heilige Nacht. Weihnachtslied nach einer alten Weise Classical

Liszt: Weihnachtsbaum, S. 185a: III. Die Hirten an der Krippe. In dulci iubilo Classical

Liszt: Weihnachtsbaum, S. 185a: IV. Adeste fideles. Gleichsam als Marsch der heiligen drei Könige Classical

Liszt: Weihnachtsbaum, S. 185a: V. Scherzoso. Man zundet die Kerzen des Baumes an Classical

Liszt: Weihnachtsbaum, S. 185a: VI. Réveille-Matin "Wecker" – Carillon (1st Version) Classical

Liszt: Weihnachtsbaum, S. 185a: VII. Schlummerlied Classical

Liszt: Weihnachtsbaum, S. 185a: VIII. Alt-provenzalische Noël Classical

Liszt: Weihnachtsbaum, S. 185a: IX. Abendglocken (1st Version) Classical

Liszt: Weihnachtsbaum, S. 185a: X. Ehemals (1st Version) Classical

Liszt: Weihnachtsbaum, S. 185a: XI. Ungarisch Classical

Liszt: Weihnachtsbaum, S. 185a: XII. Polnisch Classical

Liszt: À la Chapelle Sixtine (Miserere d'Allegri et Ave verum corpus de Mozart), S. 461ii Classical

Liszt: Ungarische Nationalmelodien, S. 243a (Lighter Version): No. 1 in D Major Classical

Liszt: Ungarische Nationalmelodien, S. 243a (Lighter Version): No. 2 in C Major Classical

Liszt: Ungarische Nationalmelodien, S. 243a (Lighter Version): No. 3 in B-Flat Major Classical

Liszt: Ungarische National-Melodie "Rákóczi-Marsch", S. 242 No. 13a Classical

Liszt: Après une lecture du Dante. Fantasia quasi Sonata, S. 158c Classical

Liszt: Réminiscences des Huguenots de Meyerbeer, Grande fantaisie dramatique, S. 412 (1st Version) Classical

Liszt: Souvenir de La fiancée – Grande fantaisie sur La tyrolienne de l'opéra La fiancée d'Auber, S. 385 (3rd Version) Classical

Liszt: Einzug der Gäste auf Wartburg. March from Tannhäuser, S. 445 No. 1 (3rd Version, After Wagner) Classical

Liszt: Tarentella di bravura d'après la tarentelle de La muette de Portici, S. 386 (1st Version, After Auber) Classical

Liszt: Réminiscences de La juive, Fantaisie brillante, S. 409a (After Halévy) Classical

Liszt: Grande fantaisie sur des thèmes de l'opéra Niobe de Pacini, S. 419 Classical

Liszt: Festspiel und Brautlied from Lohengrin, S. 446 No. 1 (1st Version, After Wagner) Classical

Liszt: Fantaisie sur des motifs favoris de l'opéra La sonnambula de Bellini, S. 393 (2nd Version) Classical

Liszt: Ouverture de l'opéra Guillaume Tell de Rossini, S. 552 Classical

Liszt: Fantaisie sur des motifs de l'opéra Lucrezia Borgia de Donizetti, S. 399a Classical

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): I. Allegro con fuoco ma non troppo Classical

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): II. Adagio Classical

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): III. Presto Classical

Liszt: Wanderer Fantasy, S. 565a (After Schubert, D. 760, Version for Solo Piano): IV. Allegro Classical

Liszt: Impromptu in G-Flat Major, S. 565b/2 (After Schubert, D. 899/3) Classical

Liszt: Impromptu in E-Flat Major, S. 565b/1 (After Schubert, D. 899/2) Classical

Liszt: Die Rose, S. 556/2 (After Schubert, D. 745) Classical

Liszt: Jubelouvertüre von Carl Maria von Weber, S. 576 Classical

Liszt: Konzertstück, S. 576a (Arr. of Weber, Op. 79) Classical

Liszt: Polonaise brillante, S. 455 (Arr. for Piano After Weber's Polacca brillante, Op. 72) Classical

Liszt: Grandes études de Paganini, S. 141: I. Preludio. Andante – Étude. Non troppo lento (After Caprice No. 6) Classical

Liszt: Grandes études de Paganini, S. 141: II. Andante in E-Flat Major (After Caprice No. 17) Classical

Liszt: Grandes études de Paganini, S. 141: III. La campanella. Allegretto (After Violin Concerto No. 2) Classical

Liszt: Grandes études de Paganini, S. 141: IV. Vivo (After Caprice No. 1) Classical

Liszt: Grandes études de Paganini, S. 141: V. Allegretto (After Caprice No. 9) Classical

Liszt: Grandes études de Paganini, S. 141: VI. Quasi presto "Theme & Variations" (After Caprice No. 24) Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: I. Etude in G Minor. Tremolo Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: II. Etude in E-Flat Major. Octave Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: III. Etude in A-Flat Minor. Campanella Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: IVb. Etude in E Major. Arpeggio Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: V. Etude in E Major. La chasse Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: VI. Etude in A Minor. Tema con variazioni Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: I. Etude in G Minor (2nd Version, Incorporating Schumann's Op. 1 Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: IVa. Etude in E Major. Arpeggio Classical

Liszt: Etudes d'exécution transcendante d'après Paganini, S. 140: V. Etude in E Major (Alternative Version) Classical

Liszt: Mazeppa, S. 138 Classical

Liszt: Technische Studien, S. 146: No. 62, Sprünge mit der Tremolo-Begleitung Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): IV. Litanies de Marie (2nd Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): V. Miserere (1st Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): VI. Pater noster, d'après la Psalmodie de l'Eglise (1st Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): VII. Hymne de l'enfant à son réveil (2nd Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): VIII. [De profundis] (2nd Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): IX. La lampe du temple – Andante lagrimoso (1st Version) Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): X. [Hymne] Classical

Liszt: Harmonies poétiques et religieuses, S. 172a (1st Version): XI. [Bénédiction] (2nd Version of S. 171d/1) Classical

Liszt: Prière d'un enfant à son réveil, S. 171c Classical

Liszt: Prélude "Préludes et Harmonies poétiques et religieuses", S. 171d/1 (1st Version, 1845) Classical

Liszt: Litanies de Marie, S. 171e Classical

Rubinstein: Melody in F Major, Op. 3 No. 1 Classical

Rubinstein: Andante in B Major, Op. 3 No. 2 Classical

Rubinstein: 2 Morceaux, Op. 30: I. Première Barcarolle in F Minor. Moderato Classical

Rubinstein: 2 Morceaux, Op. 30: II. Allegro appassionato in D Minor Classical

Rubinstein: 3 Barcarolles: I. Deuxième Barcarolle in A Minor, Op. 45a. Moderato assai Classical

Rubinstein: 3 Barcarolles: II. Troisième Barcarolle in G Minor, Op. 50 No. 3a. Moderato con moto Classical

Rubinstein: 3 Barcarolles: III. Quatrième Barcarolle in G Major. Allegretto con moto Classical

Rubinstein: Fantaisie in E Minor, Op. 77: I. Adagio – Allegro con fuoco Classical

Rubinstein: Fantaisie in E Minor, Op. 77: II. Moderato assai Classical

Rubinstein: Fantaisie in E Minor, Op. 77: III. Allegro molto – Moderato – Allegro molto – Poco meno mosso – Presto Classical

Rubinstein: Fantaisie in E Minor, Op. 77: IV. Molto lento – Vivace assai – Tempo rubato – Quasi presto Classical

Rubinstein: 3 Caprices, Op. 21: I. F Sharp Major. Allegretto scherzando Classical

Rubinstein: 3 Caprices, Op. 21: II. D Minor. Andante – Allegro Classical

Rubinstein: 3 Caprices, Op. 21: III. E-Flat Major. Allegro risoluto – Andante – Tempo I Classical

Rubinstein: 3 Serenades, Op. 22: I. F Major. Moderato assai Classical

Rubinstein: 3 Serenades, Op. 22: II. G Minor. Moderato assai Classical

Rubinstein: 3 Serenades, Op. 22: III. E-Flat Major. Allegretto con moto Classical

Rubinstein: Theme & Variations, Op. 88: Theme in G Major. Lento – Allegro moderato Classical

Rubinstein: Theme & Variations, Op. 88: Var. 1 in G Major. Allegro Classical

Rubinstein: Theme & Variations, Op. 88: Var. 2 in E Minor. Andante con moto Classical

Rubinstein: Theme & Variations, Op. 88: Var. 3 in C Major. Moderato con moto Classical

Rubinstein: Theme & Variations, Op. 88: Var. 4 in C Minor. Moderato Classical

Rubinstein: Theme & Variations, Op. 88: Var. 5 in G Major. Moderato Classical

Rubinstein: Theme & Variations, Op. 88: Var. 6 in G Minor. Allegro non troppo Classical

Rubinstein: Theme & Variations, Op. 88: Var. 7 in E-Flat Major. Moderato assai Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: a. Responsorium 1 Versus. Gloria in excelsis Deo Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: b. Responsorium 1 Gloria. Gloria Patri Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: c. Responsorium 2 Versus. Hodie illuxit Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: d. Responsorium 3 Versus. Dicite Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: e. Responsorium 3 Gloria. Gloria Patri Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: f. Responsorium 4 Versus. Ave Maria, gratia plena Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: g. Responsorium 5 Versus. Beata, quae credidit Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: h. Responsorium 6 Versus. Benedicta tu in mulieribus Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: i. Responsorium 6 Gloria. Gloria Patri Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: j. Responsorium 7 Versus. Dies sanctificatus Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: k. Responsorium 8 Versus. Omnia per ipsum facta Sunt Classical

Liszt: Responsorien und Antiphonen, S. 30: I. In nativitate Domini: l. Responsorium 8 Gloria. Gloria Patri Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: a. Responsorium 1. In monte Oliveti Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: b. Responsorium 1 Versus. Vigilate Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: c. Responsorium 2. Tristis est anima mea Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: d. Responsorium 2 Versus. Ecce appropinquat Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: e. Responsorium 3. Ecce vidimus Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: f. Responsorium 3 Versus. Vere languores Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: g. Responsorium 3 Reprise. Ecce vidimus Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: h. Responsorium 4. Amicus meus Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: i. Responsorium 4 Versus. Bonum erat ei Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: j. Responsorium 5. Judas mercator pessimus Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: k. Responsorium 5 Versus. Melius illi erat Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: l. Responsorium 6. Unus ex discipulis meis Classical

Liszt: Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: m. Responsorium 6 Versus. Qui intingit Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): I. Marcia. Allegro Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): II. Adagio Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven after Serenade, Op. 8): III. Menuetto. Allegretto Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): IV. Adagio Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): V. Allegretto alla Polacca Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): VI. Andante quasi Allegretto Classical

Beethoven: Notturno, Op. 42 (Arr. Kleinheinz & Beethoven After Serenade, Op. 8): VII. Marcia. Allegro Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: I. Adagio – Allegro Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: II. Menuetto. Allegro molto Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: a. Theme Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: b. Var. 1 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: c. Var. 2 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: d. Var. 3 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: e. Var. 4 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: f. Var. 5 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: g. Var. 6 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: h. Var. 7 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: i. Var. 8 Classical

Mendelssohn: Viola Sonata in C Minor, MWV Q14: III. Andante con variazioni: j. Allegro molto Classical

Schumann: Märchenbilder for Viola and Piano, Op. 113: I. Nicht schnell Classical

Schumann: Märchenbilder for Viola and Piano, Op. 113: II. Lebhaft Classical

Schumann: Märchenbilder for Viola and Piano, Op. 113: III. Rasch Classical

Schumann: Märchenbilder for Viola and Piano, Op. 113: IV. Langsam, mit melancholischem Ausdruck Classical

Liszt: Grosse Concert-Phantasie über spanische Weisen, S. 253 Classical

Liszt: La romanesca, S. 252a (1st Version) Classical

Liszt: Rhapsodie espagnole, S. 254 Classical

Liszt: La romanesca, S. 252a (2nd Version) Classical

Liszt: Feuille morte. Elégie d'après Soriano, S. 428 Classical

Liszt: Rondeau fantastique sur un thème espagnol "El contrabandista", S. 252 Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): I. Allegro con brio Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): II. Andante con moto Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): III. Scherzo. Allegro Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 463a, 1st Version): IV. Finale. Allegro Classical

Liszt: Adelaïde, S. 466a (1st Version, After Beethoven's Op. 46) Classical

Liszt: Cadenza for the 1st Movement of Piano Concerto No. 3 by Beethoven, S. 389a Classical

Liszt: Marche funèbre de la Symphonie heroïque de Beethoven, S. 463e (1st Version) Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): I. Exposition des Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): II. Scène au bord Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): III. Scherzo. Lus Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): IV. Grande tempêt Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463b, 1st Version): V. Sentimens de j Classical

Liszt: Adelaïde, S. 466a (2nd Version, After Beethoven's Op. 46) Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 463c, 2nd Version): V. Hirtengesang " Classical

Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto (Fragmentary Transcription for Piano) Classical

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): I. Poco sostenuto – Vivace Classical

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): II. Allegretto Classical

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): III. Presto – Assai meno pre Classical

Beethoven: Symphony No. 7 in A Major, Op. 92 (Transcr. Liszt for Solo Piano as S. 463d, 1st Version): IV. Allegro con brio Classical

Liszt: Fantasie über Motive aus Beethovens Ruinen von Athen, S. 388b Classical

Liszt: Marche au supplice, S. 470a/1 (After Berlioz, Symphonie fantastique, IV): L'idée fixe Classical

Liszt: Marche au supplice, S. 470a/2 (After Berlioz, Symphonie fantastique, IV): Marche au supplice Classical

Tchaikovsky, Leslie Howard: Piano Sonata (No. 1) in F Minor (Compl. Howard) Classical

Tchaikovsky: Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: I. Allegro con fuoco Classical

Tchaikovsky: Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: II. Andante Classical

Tchaikovsky: Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: III. Scherzo. Allegro vivo Classical

Tchaikovsky: Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: IV. Allegro vivo Classical

Tchaikovsky: Grand Sonata (No. 3) in G Major, Op. 37: I. Moderato e risoluto Classical

Tchaikovsky: Grand Sonata (No. 3) in G Major, Op. 37: II. Andante non troppo quasi moderato Classical

Tchaikovsky: Grand Sonata (No. 3) in G Major, Op. 37: III. Scherzo. Allegro giocoso Classical

Tchaikovsky: Grand Sonata (No. 3) in G Major, Op. 37: IV. Finale. Allegro vivace Classical

Liszt: Années de pèlerinage II, Italie, S. 161: I. Sposalizio Classical

Liszt: Années de pèlerinage II, Italie, S. 161: II. Il penseroso Classical

Liszt: Années de pèlerinage II, Italie, S. 161: III. Canzonetta del Salvator Rosa Classical

Liszt: Années de pèlerinage II, Italie, S. 161: IV. Sonetto 47 del Petrarca Classical

Liszt: Années de pèlerinage II, Italie, S. 161: V. Sonetto 104 del Petrarca Classical

Liszt: Années de pèlerinage II, Italie, S. 161: VI. Sonetto 123 del Petrarca Classical

Liszt: Années de pèlerinage II, Italie, S. 161: VII. Après une lecture du Dante "Fantasia quasi Sonata" Classical

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: I. Gondoliera Classical

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: II. Canzone Classical

Liszt: Années de Pèlerinage II, Supplément (Venezia et Napoli), S. 162: III. Tarantella Classical

Liszt: Au bord d'une source, S. 160/4a (3rd Version) Classical

Liszt: Réminiscences des Puritains, Grande fantaisie, S. 390/1 (After Bellini) Classical

Liszt: Salve Maria de Jérusalem, S. 431 (1st Version, After I Lombardi by Verdi) Classical

Liszt: Finale de Don Carlos. Coro di festa e marcia funebre, S. 435 (After Verdi) Classical

Liszt: Pilgrims' Chorus from Tannhäuser, S. 443 (2nd Version, After Wagner) Classical

Liszt: Am stillen Herd – Lied aus Richard Wagners Meistersinger, S. 448 Classical

Liszt: Réminiscences de Lucrezia Borgia, S. 400 (After Donizetti): I. Trio du seconde acte Classical

Liszt: Réminiscences de Lucrezia Borgia, S. 400 (After Donizetti): II. Chanson à boire (Orgie) Classical

Liszt: Réminiscences des Huguenots de Meyerbeer, Grande fantaisie dramatique, S. 412 (3rd Version) Classical

Liszt: Andante finale und Marsch aus der Oper König Alfred von Joachim Raff, S. 421: I. Andante finale Classical

Liszt: Andante finale und Marsch aus der Oper König Alfred von Joachim Raff, S. 421: II. Marsch Classical

Liszt: Adagio "Der, welcher wandelt diese Straße" from Die Zauberflöte, S. 634a (After Mozart) Classical

Liszt: Tyrolean Melody from "La fiancée" by Auber, S. 385a Classical

Liszt: Tarentella di bravura d'après la tarentelle de La muette de Portici, S. 386 (3rd Version, After Auber) Classical

Liszt: Salve Maria de Jérusalem, S. 431 (2nd Version, After I Lombardi by Verdi) Classical

Liszt: I puritani. Introduction et Polonaise de l'opéra de Bellini, S. 391 Classical

Liszt: Sonnambula de Bellini – Grosse Concert-Fantasie, S. 393 (3rd Version) Classical

Rubinstein: Piano Sonata No. 1 in E Minor, Op. 12: I. Allegro appassionato Classical

Rubinstein: Piano Sonata No. 1 in E Minor, Op. 12: II. Andante largamente Classical

Rubinstein: Piano Sonata No. 1 in E Minor, Op. 12: III. Moderato Classical

Rubinstein: Piano Sonata No. 1 in E Minor, Op. 12: IV. Moderato con fuoco Classical

Rubinstein: Piano Sonata No. 2 in C Minor, Op. 20: I. Allegro con moto Classical

Rubinstein: Piano Sonata No. 2 in C Minor, Op. 20: II. Andante. Tema – Variations 1-4 Classical

Rubinstein: Piano Sonata No. 2 in C Minor, Op. 20: III. Vivace Classical

Rubinstein: Piano Sonata No. 3 in F Major, Op. 41: I. Allegro risoluto e con fuoco Classical

Rubinstein: Piano Sonata No. 3 in F Major, Op. 41: II. Allegretto con moto Classical

Rubinstein: Piano Sonata No. 3 in F Major, Op. 41: III. Andante Classical

Rubinstein: Piano Sonata No. 3 in F Major, Op. 41: IV. Allegro vivace Classical

Rubinstein: Piano Sonata No. 4 in A Minor, Op. 100: I. Moderato con moto Classical

Rubinstein: Piano Sonata No. 4 in A Minor, Op. 100: II. Allegro vivace Classical

Rubinstein: Piano Sonata No. 4 in A Minor, Op. 100: III. Andante Classical

Rubinstein: Piano Sonata No. 4 in A Minor, Op. 100: IV. Allegro assai Classical

Liszt: Lenore, S. 346 Classical

Liszt: Der traurige Mönch, S. 348 Classical

Liszt: Helges Treue, S. 686 Classical

Liszt: Des toten Dichters Liebe, S. 349 Classical

Liszt: Der blinde Sänger, S. 350 Classical

Liszt: Gaudeamus igitur. Paraphrase, S. 240 (1st Version) Classical

Liszt: Una stella amica, Valzer de "F. Pezzini", S. 551 Classical

Liszt: La marche pour le sultan Abdul Médjid-Khan, S. 403 Classical

Liszt: Seconda mazurka di Tirindelli (Additions by Liszt), S. 573a Classical

Liszt: Seconde marche hongroise. Ungarischer Sturmmarsch, S. 232 Classical

Liszt: Impromptu (Nocturne), S. 191 (1st Version) Classical

Liszt: Festmarsch zur Säkularfeier von Goethes Geburtstag, S. 227 Classical

Liszt: Solovei "Le rossignol", S. 249d Classical

Liszt: Galop russe, S. 478 (After Bulhakov) Classical

Liszt: Lyubila ya "Romance" de Wielhorsky, S. 577 (3rd Version, Published) Classical

Liszt: Gaudeamus igitur. Humoreske, S. 509 Classical

Liszt: Ballade No. 2, S. 170a (1st Version) Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: I. Chapelle de Guillaume Tell Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: II. Au lac de Wallenstadt Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: III. Pastorale Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: IV. Au bord d'une source Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: V. Orage Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: VI. Vallée d'Obermann Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: VII. Eglogue Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: VIII. Le mal du pays (Heimweh) Classical

Liszt: Années de pèlerinage I, Suisse, S. 160: IX. Les cloches de Genève (Nocturne) Classical

Liszt: 3 Morceaux suisses, S. 156a: I. Ranz de vaches (Mélodie de Ferdinand Huber) avec variations Classical

Liszt: 3 Morceaux suisses, S. 156a: II. Un soir dans la montagne (Mélodie d’Ernest Knop) – Nocturne Classical

Liszt: 3 Morceaux suisses, S. 156a: III. Ranz de chèvres (Mélodie de Ferdinand Huber) – Rondeau Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 1 in G Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 2 in A Minor Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 3 in F Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 4 in A Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 5 in F Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 6 in D Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 7 in G Major Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 8 in D Major Classical

Liszt: Löse, Himmel, meine Seele (Lied von Eduard Lassen), S. 494 (1st Version) Classical

Liszt: Tanto gentile e tanto Onesta, S. 479 (After Hans von Bülow, Op. 22) Classical

Liszt: Die Gräberinsel (After Lied by Ernst II, Duke of Saxe-Coburg-Gotha), S. 485b Classical

Louis Ferdinand of Prussia: Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S. 168i Classical

Liszt: Lieder aus Tannhäuser, S. 498 (After Lessmann, Op. 27): I. Der Lenz ist gekommen Classical

Liszt: Lieder aus Tannhäuser, S. 498 (After Lessmann, Op. 27): II. Trinklied Classical

Liszt: Lieder aus Tannhäuser, S. 498 (After Lessmann, Op. 27): III. Du schaust mich an Classical

Liszt: Löse, Himmel, meine Seele, S. 494/2 (After E. Lassen) Classical

Liszt: Ich weil' in tiefer Einsamkeit, S. 495 (After E. Lassen) Classical

Liszt: Tanzmomente von Johann Herbeck, S. 492: No. 4 in A Major (Alternative Text) Classical

Liszt: Zigeuner-Polka d'August Conradi, S. 481 Classical

Liszt: Les préludes, Symphonic Poem No. 3, S. 511a (Version for Piano) Classical

Liszt: 3 Etudes de concert, S. 144: No. 1 in A-Flat Major "Il lamento" Classical

Liszt: 3 Etudes de concert, S. 144: No. 2 in F Minor "La leggierezza" Classical

Liszt: 3 Etudes de concert, S. 144: No. 3a in D-Flat Major. 2 Short Cadenzas Classical

Liszt: 3 Etudes de concert, S. 144: No. 3 in D-Flat Major "Un sospiro" (With Cadenza and Revised Coda) Classical

Liszt: Ab irato (Etude de perfectionnement), S. 143 Classical

Liszt: Waldesrauschen, S. 145/1 Classical

Liszt: Gnomenreigen, S. 145/2 Classical

Liszt: Episoden aus Lenaus Faust, S. 513a/S. 514: I. Der nächtliche Zug, S. 513a (Arr. Freund & Liszt) Classical

Liszt: Episoden aus Lenaus Faust, S. 513a/S. 514: II. Der Tanz in der Dorfschenke (Mephisto Waltz No. 1, 1st Version), S. 514 Classical

Liszt: Excelsior! (Prelude zu dem Glocken des Strassburger Münsters), S. 500 Classical

Liszt: Die Zelle in Nonnenwerth, S. 534 (1844 2nd Version) Classical

Liszt: Consolations, S. 171a (1st Version): No. 1 in E Major. Andante con moto Classical

Liszt: Consolations, S. 171a (1st Version): No. 2 in E Major. Un poco più mosso Classical

Liszt: Consolations, S. 171a (1st Version): No. 3 in C-Sharp Minor. Lento, quasi recitativo Classical

Liszt: Consolations, S. 171a (1st Version): No. 4 in D-Flat Major. Quasi adagio, cantabile con devozione Classical

Liszt: Consolations, S. 171a (1st Version): No. 5 in E Major. Andantino Classical

Liszt: Consolations, S. 171a (1st Version): No. 6 in E Major. Allegretto Classical

Liszt: Die Zelle in Nonnenwerth, S. 534 (1844 2nd Version Alternate) Classical

Liszt: Geharnischte Lieder, S. 511: I. Vor der Schlacht Classical

Liszt: Geharnischte Lieder, S. 511: II. Nicht gesagt! Classical

Liszt: Geharnischte Lieder, S. 511: III. Es rufet Gott uns mahnend Classical

Liszt: Rosario, S. 670: I. Mysteria gaudiosa Classical

Liszt: Rosario, S. 670: II. Mysteria dolorosa Classical

Liszt: Rosario, S. 670: III. Mysteria gloriosa Classical

Liszt: Schlummerlied im Grabe, S. 195a Classical

Liszt: Entwurf der Ramann-Elegie, S. 196a Classical

Liszt: Weimars Volkslied, S. 542 (2nd Version) Classical

Liszt: National Hymne "Kaiser Wilhelm!", S. 197b Classical

Liszt: Fanfare zur Enthüllung des Carl-Augusts Monument, S. 542b Classical

Liszt: Weimars Volkslied, S. 542 (1st Version) Classical

Liszt: Mélodies russes "Arabesques", S. 250: I. Le rossignol (2nd Version, After Alyabyev) Classical

Liszt: Mélodies russes "Arabesques", S. 250: II. Chanson bohémienne (After Bulakhov) Classical

Liszt: Lyubila ya "Romance" de Wielhorsky, S. 577 (4th Version, Published) Classical

Liszt: Tarantella de Dargomijski, S. 483 Classical

Liszt: Galop par Constantin Bulhakow arrangé par Liszt, S. 478 (1st Version) Classical

Liszt: Mazurka par un amateur de St Pétersbourg, S. 384 Classical

Liszt: Prélude à la Polka de Borodine, S. 207a Classical

Borodin: Polka for 2 Pianos (Preceded by an Introduction by Liszt) Classical

Liszt: Tarentelle de César Cui, S. 482 Classical

Liszt: Rákóczi-Marsch "Version Populaire", S. 244c Classical

Liszt: Virag dál "Chant des fleurs", S. 383a Classical

Liszt: Spanisches Ständchen (Mélodie von Graf Leo Festetics), S. 487 Classical

Liszt: Valse d'Adèle, S. 456 (After Zichy) Classical

Liszt: Marche hongroise de Szabadi, S. 572 (After Massenet) Classical

Liszt: Valse de concert, S. 430 (After J. Végh) Classical

Liszt: Introduction and Hungarian March, S. 573 (After Széchényi) Classical

Liszt: 12 Grandes Etudes, S. 137: No. 1 in C Major. Presto Classical

Liszt: 12 Grandes Etudes, S. 137: No. 2 in A Minor. Molto vivace a capriccio Classical

Liszt: 12 Grandes Etudes, S. 137: No. 3 in F Major. Poco adagio Classical

Liszt: 12 Grandes Etudes, S. 137: No. 4 in D Minor. Allegro patetico Classical

Liszt: 12 Grandes Etudes, S. 137: No. 5 in B-Flat Major. Equalmente Classical

Liszt: 12 Grandes Etudes, S. 137: No. 6 in G Minor. Largo patetico Classical

Liszt: 12 Grandes Etudes, S. 137: No. 7 in E-Flat Major. Allegro deciso Classical

Liszt: 12 Grandes Etudes, S. 137: No. 8 in C Minor. Presto strepitoso Classical

Liszt: 12 Grandes Etudes, S. 137: No. 9 in A-Flat Major. Andantino Classical

Liszt: 12 Grandes Etudes, S. 137: No. 10 in F Minor. Presto molto agitato Classical

Liszt: 12 Grandes Etudes, S. 137: No. 11 in D-Flat Major. Lento assai Classical

Liszt: 12 Grandes Etudes, S. 137: No. 12 in B-Flat Minor. Andantino Classical

Liszt: Morceau de salon (Etude de perfectionnement), S. 142 Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 1, Sei mir gegrüsst (After D. 741) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 2, Auf dem Wasser zu singen (After D. 774) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 3, Du bist die Ruh' (After D. 776) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 4, Erlkönig (After D. 328, 2nd Version) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 5, Meeresstille (After 2nd Version, D. 216) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 6, Die junge Nonne (After D. 828) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube (After D. 686, 2nd Version) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 8, Gretchen am Spinnrade (After D. 118) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 9, Ständchen von Shakespeare (After D. 889) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 10, Rastlose Liebe (After D. 138a) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 11, Der Wanderer (After D. 489, 3rd Version) Classical

Liszt: 12 Lieder von Franz Schubert, S. 558: No. 12, Ave Maria "Ellens dritter Gesang" (After D. 839, 2nd Version) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): I. Das Wandern (After D. 795/1) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): II. Der Müller und der Bach (After D. 795/19) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): III. Der Jäger (After D. 795/14) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): IV. Die böse Farbe (After D. 795/17) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): V. Wohin? (After D. 795/2) Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1879 2nd Version): VI. Ungeduld (After D. 795/7, 2nd Transcription) Classical

Liszt: Die Nebensonnen, S. 561/2a (Fragment After Schubert, D. 911) Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): I. Die Stadt Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): II. Das Fischermädchen Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): III. Aufenthalt Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): IV. Am Meer Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): V. Abschied Classical

Liszt: Schwanengesang, S. 560a (Alternative Version, After Schubert, D. 957): VI. In der Ferne Classical

Liszt: Franz Schuberts geistliche Lieder, S. 562: I. Litanei, auf das Fest aller Seelen Classical

Liszt: Franz Schuberts geistliche Lieder, S. 562: II. Himmelsfunken Classical

Liszt: Franz Schuberts geistliche Lieder, S. 562: III. Die Gestirne Classical

Liszt: Franz Schuberts geistliche Lieder, S. 562: IV. Hymne "Geisterchor aus Rosamunde" Classical

Liszt: Schuberts Ungarische Melodien aus dem ungarischen Divertissement zu 4 Händen, S. 425a: I. Andante Classical

Liszt: Schuberts Ungarische Melodien aus dem ungarischen Divertissement zu 4 Händen, S. 425bis: II. Marcia "Marche hongrois" (2nd Classical

Liszt: Schuberts Ungarische Melodien aus dem ungarischen Divertissement zu 4 Händen, S. 425bis: III. Allegretto Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): I. Das Wandern Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): II. Der Müller und der Bach Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): III. Der Jäger Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): IV. Die böse Farbe Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): V. Wohin? Classical

Liszt: Müllerlieder von Franz Schubert, S. 565 (1846 1st Version): VI. Ungeduld (2nd Transcription) Classical

Liszt: Meeresstille, S. 557b (After Schubert, D. 216) Classical

Liszt: Die Forelle, S. 564 (After Schubert, D. 550) Classical

Liszt: Ständchen, S. 560/7a (3rd Version, After Schubert, D. 957/4) Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): I. Die Stadt Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): II. Das Fischermädchen Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): III. Aufenthalt Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): IV. Am Meer Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): V. Abschied Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): VI. In der Ferne Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): VII. Ständchen (2nd Version) Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): VIII. Ihr Bild Classical

Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): IX. Frühlingssehnsucht Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 1 in A-Flat Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 2 in A-Flat Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 3 in E Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 4 in D-Flat Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 5 in G-Flat Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 6 in A Minor Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 7 in A Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 8 in D Major Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 9 in A-Flat Major Classical

Liszt: Mélodies hongroises d'après Schubert, S. 425: I. Andante Classical

Liszt: Mélodies hongroises d'après Schubert, S. 425: II. Marche hongroise (1st Diabelli Version) Classical

Liszt: Mélodies hongroises d'après Schubert, S. 425: III. Allegretto Classical

Liszt: Die Rose, S. 556/1 (After Schubert, D. 745) Classical

Liszt: Der Gondelfahrer, S. 559 (After Schubert, D. 809) Classical

Liszt: Soirées de Vienne, S. 427 (After Themes by Schubert): Valse-caprice No. 6 in A Minor (2nd "Menter" Version) Classical

Liszt: Mélodies hongroises d'après Schubert, S. 425: II. Marche hongroise (1879 Menter Version) Classical

Liszt: Märsche von Franz Schubert, S. 426: I. Trauermarsch (Grande marche funèbre) Classical

Liszt: Märsche von Franz Schubert, S. 426: II. Grande marche Classical

Liszt: Märsche von Franz Schubert, S. 426: III. Grande marche caractéristique Classical

Liszt: Marche militaire. Grande paraphrase de concert, S. 426a (After Schubert, D. 733/1) Classical

Liszt: Mélodies hongroises d'après Schubert, S. 425: II. Marche hongroise (c.1840 Lucca Edition) Classical

Liszt: Ave Maria, S. 557d (1st Version, After Schubert, D. 839) Classical

Liszt: La sérénade de Schubert "Ständchen", S. 559a (1st Version, After D. 957/4) Classical

Liszt: Erlkönig, S. 557a (1st Version, After Schubert, D. 328) Classical

Liszt: Oberon Overture, S. 574 (After Weber) Classical

Liszt: Fantasie über Themen aus Mozarts Figaro und Don Giovanni, S. 697 (Compl. Howard) Classical

Liszt: Concert Paraphrase on Ernani (II), S. 432 (After Verdi) Classical

Liszt: Concert Paraphrase on Miserere from Il Trovatore, S. 433 (After Verdi) Classical

Liszt: Concert Paraphrase on Rigoletto, S. 434 (After Verdi) Classical

Liszt: Réminiscences de Boccanegra, S. 438 (After Verdi) Classical

Liszt: Caprice-Valse No. 3 de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti, S. 214/3 Classical

Liszt: Réminiscences de Robert le Diable, S. 412a/S. 413 (After Meyerbeer): I. Cavatine, S. 412a Classical

Liszt: Réminiscences de Robert le Diable, S. 412a/S. 413 (After Meyerbeer): II. Valse infernale, S. 413 Classical

Liszt: Les adieux, Rêverie sur un motif de l'opéra "Roméo et Juliette" de Gounod, S. 409 Classical

Liszt: Schwanengesang und Marsch aus Erkels Oper Hunyadi László. Concert Paraphrase, S. 405 Classical

Liszt: Elsas Brautzug zum Münster, S. 445 No. 2 (After Wagner, Lohengrin) Classical

Liszt: Aus Richard Wagners Lohengrin, S. 446: I. Festspiel und Brautlied Classical

Liszt: Aus Richard Wagners Lohengrin, S. 446: II. Elsas Traum Classical

Liszt: Aus Richard Wagners Lohengrin, S. 446: III. Lohengrins Verweis an Elsa Classical

Liszt: Phantasiestück über Motive aus Rienzi von Richard Wagner – Santo spirito cavaliere, S. 439 Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 1 in C Minor. Lento Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 2 in C Major. Andantino Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 3 in D-Flat Major. Sehr langsam Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 4 in C-Sharp Major. Animato Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 5 in D-Flat Major. Tempo giusto Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 6 in G Minor. Lento – Allegretto Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 7 in E-Flat Major. Andante cantabile quasi adagio Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 8 in F Minor. Lento Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 9 in A Minor. Lento – Quasi presto Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 10 in D Major. Adagio sostenuto a capriccio – Allegro vivace Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 11 in B-Flat Major. Andante sostenuto – Allegretto Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 12 in E Minor. Héroïde élégiaque. Mesto Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 13 in A Minor. Rákóczi-Marsch. Tempo di Marcia (Animato) Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 14 in A Minor. Lento a capriccio – Friska. Vivace assai Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 15 in D Minor. Lento. Tempo e Stilo Zingarese – Vivace Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 16 in E Major. Preludio – Andante deciso, sempre ben marcato il tempo Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 17 in A Minor. Andante sostenuto – Friska. Vivace Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 18 in C-Sharp Minor. Adagio – Allegretto zingarese Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 19 in F-Sharp Minor. Lento patetico – Presto giocoso assai – Adagio Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 20 in G Minor. Romanian Rhapsody. Allegro vivace Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 21 in E Minor. Lento. Tempo di marcia funebre Classical

Liszt: Magyar Dalok & Rapszódiák, S. 242: No. 22 in E-Flat Major "Pester Carneval". Moderato a capriccio Classical

Liszt: Scherzo und Marsch, S. 177 Classical

Liszt: Petite valse favorite, S. 212 (2nd Version) Classical

Liszt: Mazurka brillante, S. 221 Classical

Liszt: Grand galop chromatique, S. 219 Classical

Liszt: Galop in A Minor, S. 218 Classical

Liszt: Festpolonaise, S. 230a Classical

Liszt: Csárdás, S. 225 No. 1 Classical

Liszt: Csárdás obstinée, S. 225 No. 2 Classical

Liszt: Csárdás macabre, S. 224 Classical

Liszt: Mephisto Polka, S. 217 (1st Version) Classical

Liszt: Festvorspiel, S. 226 Classical

Liszt: Heroischer Marsch im ungarischem Stil, S. 231 Classical

Liszt: Ungarischer Sturmmarsch, S. 524 Classical

Liszt: Goethe-Festmarsch, S. 521 Classical

Liszt: Festmarsch nach Motiven von E H z S-C-G, S. 522 Classical

Liszt: Marche héroïque, S. 510 Classical

Liszt: Huldigungsmarsch, S. 228 (2nd Version) Classical

Liszt: Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S. 523 Classical

Liszt: Siegesmarsch, S. 233a Classical

Liszt: Ungarischer Geschwindmarsch, S. 233 Classical

Liszt: Vom Fels zum Meer! (Deutscher Siegesmarsch), S. 229 Classical

Liszt: Bülow-Marsch, S. 230 Classical

Liszt: Künstlerfestzug zur Schillerfeier, S. 520 (2nd Version) Classical

Liszt: Rákóczi-Marsch nach der Orchesterbearbeitung, S. 244a Classical

Britten: Elegy for Solo Viola Classical

The Sussex Mummer's Christmas Carol (Arr. Grainger) Classical

Grainger: Arrival Platform Humlet Classical

Bax: Legend for Violin and Piano Classical

Bridge: Pensiero, H. 53 Classical

Bridge: Allegro appassionato, H. 82 Classical

R. Clarke: Viola Sonata: I. Impetuoso Classical

R. Clarke: Viola Sonata: II. Vivace Classical

R. Clarke: Viola Sonata: III. Adagio – Allegro Classical

Liszt: Szózat und Ungarischer Hymnus, S. 486 Classical

Liszt: God Save the Queen, S. 235 Classical

Liszt: Canzone napolitana, S. 248 (1st Version) Classical

Liszt: Ungarische Nationalmelodien, S. 243: I. Tempo giusto Classical

Liszt: Ungarische Nationalmelodien, S. 243: II. Animato Classical

Liszt: Ungarische Nationalmelodien, S. 243: III. Prélude – Allegretto Classical

Liszt: Canzone napolitana – Notturno, S. 248 (2nd Version) Classical

Liszt: Hussitenlied, S. 234 Classical

Liszt: Glanes de Woronince, S. 249: I. Ballade ukraine. Dumka Classical

Liszt: Glanes de Woronince, S. 249: II. Mélodies polonaises Classical

Liszt: Glanes de Woronince, S. 249: III. Complainte. Dumka Classical

Liszt: La Marseillaise, S. 237 (After Rouget de Lisle) Classical

Liszt: Vive Henri IV, S. 239 Classical

Liszt: La cloche sonne, S. 238 Classical

Liszt: Rákóczi-Marsch, S. 242a Classical

Liszt: Variation über einen Walzer von Diabelli, S. 147 Classical

Liszt: Waltz in A Major, S. 208a Classical

Liszt: 5 Variations on the Romance from Joseph by Méhul, Op. 23 (Formerly Attrib. Liszt as S. 747a) Classical

Liszt: 8 Variations on an Original Theme, S. 148 Classical

Liszt: 7 Variations brillantes sur un thème de Rossini (From Ermione), S. 149 Classical

Liszt: Impromptu brillant sur des thèmes de Rossini et Spontini, S. 150 Classical

Liszt: Allegro di bravura, S. 151 Classical

Liszt: Rondo di bravura, S. 152 Classical

Liszt: Etude en 12 exercices, S. 136: No. 7 in E-Flat Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 8 in C Minor Classical

Liszt: Etude en 12 exercices, S. 136: No. 9 in A-Flat Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 10 in F Minor Classical

Liszt: Etude en 12 exercices, S. 136: No. 11 in D-Flat Major Classical

Liszt: Etude en 12 exercices, S. 136: No. 12 in B-Flat Minor Classical

Liszt: Scherzo in G Minor, S. 153 Classical

Liszt: Zum Andenken (Hungarian Recruiting Dances), S. 241: I. Kinizsi nótája (After László Fáy) Classical

Liszt: Zum Andenken (Hungarian Recruiting Dances), S. 241: II. Lassú magyar (After János Bihari) Classical

Liszt: Waltz in E Major, S. 209a Classical

Liszt: San Francesco, Preludio per il Cantico del Sol, S. 498d Classical

Liszt: Cantico del Sol di San Francesco d'Assisi, S. 499 Classical

Liszt: Von der Wiege bis zum Grabe, S. 512 (Version for Piano): I. Die Wiege Classical

Liszt: Von der Wiege bis zum Grabe, S. 512 (Version for Piano): II. Der Kampf um's Dasein Classical

Liszt: Von der Wiege bis zum Grabe, S. 512 (Version for Piano): III. Zum Grabe. Die Wiege des zukünftigen Lebens Classical

Liszt: O sacrum convivium, S. 674a Classical

Liszt: 2 Kirchenhymnen, S. 669: No. 1, Salve Regina Classical

Liszt: 2 Kirchenhymnen, S. 669: No. 2, Ave maris stella Classical

Liszt: Gebet, S. 265 Classical

Liszt: Ora pro nobis, S. 262 Classical

Liszt: O sacrum convivium, S. 674a (Alternative Version) Classical

Liszt: Resignazione – Ergebung, S. 187b (2nd Version) Classical

Liszt: Il m'aimait tant!, S. 533 Classical

Liszt: Romance "O pourquoi donc", S. 169 Classical

Liszt: Ich liebe dich, S. 542a (Version for Piano) Classical

Liszt: Die Zelle in Nonnenwerth, S. 534 (1880 4th Version) Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): I. Adagio – Allegro con brio Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): II. Adagio cantabile Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): III. Tempo di menuetto Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): IV. Andante con variazioni Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): V. Scherzo. Allegro molto e vivace – Trio – Scherzo da capo Classical

Liszt: Grand Septuor de Beethoven, S. 465 (After Septet, Op. 20): VI. Andante con moto alla marcia – Presto Classical

Liszt: Transcriptionen über Themen aus Mozarts Requiem, S. 550: I. Confutatis maledictis Classical

Liszt: Transcriptionen über Themen aus Mozarts Requiem, S. 550: II. Lacrimosa Classical

Liszt: Ave verum corpus, S. 461a (Arr. for Piano After Mozart, K. 618) Classical

Liszt: Agnus Dei della Messa da Requiem di Giuseppe Verdi, S. 437 (1st Version) Classical

Liszt: Transcriptions d'après Rossini, S. 553: I. Air du Stabat Mater Classical

Liszt: Transcriptions d'après Rossini, S. 553: II. La charité Classical

Liszt: Phantasiestück, S. 490 (aus Goldschmidts Oratorium Die sieben Todsünden): I. Liebesszene Classical

Liszt: Phantasiestück, S. 490 (aus Goldschmidts Oratorium Die sieben Todsünden): II. Fortunas Kugel Classical

Liszt: Mendelssohns Wasserfahrt und Der Jäger Abschied, S. 548: I. Wasserfahrt (After Op. 50/4) Classical

Liszt: Mendelssohns Wasserfahrt und Der Jäger Abschied, S. 548: II. Der Jäger Abschied (After Op. 50/2) Classical

Liszt: Schlummerlied mit Arabesken, S. 454 (After Weber, Op. 68/4) Classical

Liszt: Leier und Schwert nach Carl Maria von Weber – Heroïde, S. 452: I. [Introduction] Classical

Liszt: Leier und Schwert nach Carl Maria von Weber – Heroïde, S. 452: II. Schwertlied Classical

Liszt: Leier und Schwert nach Carl Maria von Weber – Heroïde, S. 452: III. Gebet (vor der Schlacht) Classical

Liszt: Leier und Schwert nach Carl Maria von Weber – Heroïde, S. 452: IV. Lützows wilde Jagd Classical

Liszt: Grosses Septett, S. 493 (After Hummel, Op. 74): I. Allegro con spirito Classical

Liszt: Grosses Septett, S. 493 (After Hummel, Op. 74): II. Menuetto o Scherzo. Allegro – Alternativo Classical

Liszt: Grosses Septett, S. 493 (After Hummel, Op. 74): III. Andante con variazioni Classical

Liszt: Grosses Septett, S. 493 (After Hummel, Op. 74): IV. Finale. Vivace Classical

Liszt: Harold en Italie, Symphonie de Berlioz, S. 472: I. Harold aux montagnes – Scènes de mélancolie, de bonheur et de joie. Adag Classical

Liszt: Harold en Italie, Symphonie de Berlioz, S. 472: II. Marche de pèlerins – Chantant la prière du soir. Allegretto Classical

Liszt: Harold en Italie, Symphonie de Berlioz, S. 472: III. Sérénade – d'un montagnard des Abruzzes à sa maîtresse. Allegro assai Classical

Liszt: Harold en Italie, Symphonie de Berlioz, S. 472: IV. Orgie de brigands – Souvenirs des scènes précédentes. Allegro frenetico Classical

Liszt: Romance oubliée, S. 132 (Version for Viola & Piano) Classical

Gounod: Hymne à Sainte Cécile, CG 557 Classical

Liszt: Le moine, S. 416 (After Meyerbeer) Classical

Liszt: Festmarsch zu Schillers 100 jähriger Geburtsfeier, S. 549 (After Meyerbeer) Classical

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): I. Adagio molto – Allegro con brio Classical

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): II. Andante cantabile con moto Classical

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): III. Menuetto. Allegro molto e vivace Classical

Beethoven: Symphony No. 1 in C Major, Op. 21 (Transcr. Liszt for Solo Piano as S. 464/1): IV. Finale. Adagio – Allegro molto e viv Classical

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): I. Allegro con brio Classical

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): II. Marcia funebre. Adagio assai Classical

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): III. Scherzo. Allegro vivace Classical

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 (Transcr. Liszt for Solo Piano as S. 464/3): IV. Finale. Allegro molto Classical

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): I. Adagio molto – Allegro con brio Classical

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): II. Larghetto Classical

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): III. Scherzo. Allegro Classical

Beethoven: Symphony No. 2 in D Major, Op. 36 (Transcr. Liszt for Solo Piano as S. 464/2): IV. Allegro molto Classical

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): I. Adagio – Allegro vivace Classical

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): II. Adagio Classical

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): III. Allegro vivace Classical

Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Transcr. Liszt for Solo Piano, S. 464/4): IV. Allegro ma non troppo Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): I. Allegro con brio Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): II. Andante con moto Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): III. Scherzo. Allegro Classical

Beethoven: Symphony No. 5 in C Minor, Op. 67 (Transcr. Liszt for Solo Piano as S. 464/5, 2nd Version): IV. Finale. Allegro Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): I. Erwachen heit Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): II. Szene Am Bac Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): III. Lustiges Zu Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): IV. Donner – Stu Classical

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Solo Piano as S. 464/6, 2nd Version): V. Hirtengesang Classical

Liszt: Soirées musicales de Rossini, S. 424: I. La promessa. Canzonetta Classical

Liszt: Soirées musicales de Rossini, S. 424: II. La regata veneziana. Notturno Classical

Liszt: Soirées musicales de Rossini, S. 424: III. L'invito. Bolero Classical

Liszt: Soirées musicales de Rossini, S. 424: IV. La gita in gondola. Barcarola Classical

Liszt: Soirées musicales de Rossini, S. 424: V. Il rimprovero. Canzonetta Classical

Liszt: Soirées musicales de Rossini, S. 424: VI. La pastorella dell' Alpi. Tirolese Classical

Liszt: Soirées musicales de Rossini, S. 424: VII. La partenza. Canzonetta Classical

Liszt: Soirées musicales de Rossini, S. 424: VIII. La pesca. Notturno Classical

Liszt: Soirées musicales de Rossini, S. 424: IX. La danza. Tarantella Classical

Liszt: Soirées musicales de Rossini, S. 424: X. La serenata. Notturno Classical

Liszt: Soirées musicales de Rossini, S. 424: XI. L'orgia. Arietta Classical

Liszt: Soirées musicales de Rossini, S. 424: XII. Li marinari. Duetto Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: I. La primavera. Canzonetta Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: II. Il galop Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: III. Il pastore svizzero. Tirolese Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: IV. La serenata del marinaro Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: V. Il brindisi. Rondoletto Classical

Liszt: Soirées italiennes (After Mercadante), S. 411: VI. La zingarella spagnola. Bolero Classical

Liszt: Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti), S. 399: I. Barcarola Classical

Liszt: Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti), S. 399: II. Notturno "L'alito di bice" Classical

Liszt: Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti), S. 399: III. Canzona napoletana "La torre di Classical

Liszt: 3 Sonetti di Petrarca, S. 158 (1st Version): II. Sonetto XLVII – Benedetto sia 'l giorno Classical

Liszt: 3 Sonetti di Petrarca, S. 158 (1st Version): I. Sonetto CIV – Pace non trovo Classical

Liszt: 3 Sonetti di Petrarca, S. 158 (1st Version): III. Sonetto CXXIII – I' vidi in terra Classical

Liszt: Venezia e Napoli, S. 159: I. Lento. Chant du gondolier Classical

Liszt: Fantaisie romantique sur 2 mélodies suisses, S. 157 Classical

Liszt: Album d'un voyageur, S. 156: I. Lyon Classical

Liszt: Album d'un voyageur, S. 156: III. Au bord d'une source Classical

Liszt: Album d'un voyageur, S. 156: IV. Les cloches de G[enève] Classical

Liszt: Album d'un voyageur, S. 156: V. Vallée d'Obermann Classical

Liszt: Album d'un voyageur, S. 156: VI. La chapelle de Guillaume Tell Classical

Liszt: Album d'un voyageur, S. 156: VII. Psaume Classical

Liszt: Album d'un voyageur, S. 156: VIII. Allegro Classical

Liszt: Album d'un voyageur, S. 156: IX. Lento Classical

Liszt: Album d'un voyageur, S. 156: X. Allegro pastorale Classical

Liszt: Album d'un voyageur, S. 156: XI. Andante con sentimento Classical

Liszt: Album d'un voyageur, S. 156: XII. Andante molto espressivo Classical

Liszt: Album d'un voyageur, S. 156: XIII. Allegro moderato Classical

Liszt: Album d'un voyageur, S. 156: XIV. Allegretto Classical

Liszt: Album d'un voyageur, S. 156: XV. Allegretto Classical

Liszt: Album d'un voyageur, S. 156: XVI. Andantino con molto sentimento Classical

Liszt: Album d'un voyageur, S. 156: XVII. Ranz de vaches – Aufzug auf die Alpe – Improvisata Classical

Liszt: Album d'un voyageur, S. 156: XVIII. Un soir dans les montagnes. Nocturne pastorale Classical

Liszt: Album d'un voyageur, S. 156: XIX. Ranz de chèvres. Allegro finale Classical

Liszt: Faribolo pastour, S. 236 No. 1 Classical

Liszt: Chanson du Béarn "Pastorale", S. 236 No. 2 Classical

Liszt: Liebesträume, S. 541: No. 1, Hohe Liebe Classical

Liszt: Liebesträume, S. 541: No. 2, Seliger Tod Classical

Liszt: Liebesträume, S. 541: No. 3, O lieb, so lang du lieben kannst! Classical

Liszt: Buch der Lieder I, S. 531: I. Die Lorelei (1st Version) Classical

Liszt: Buch der Lieder I, S. 531: II. Am Rhein, im schönen Strome Classical

Liszt: Buch der Lieder I, S. 531: III. Mignons Lied Classical

Liszt: Buch der Lieder I, S. 531: IV. Der König von Thule Classical

Liszt: Buch der Lieder I, S. 531: V. Der du von dem Himmel bist Classical

Liszt: Buch der Lieder I, S. 531: VI. Angiolin dal biondo crin Classical

Liszt: Buch der Lieder II, S. 535-540: I. Oh! quand je dors, S. 536 Classical

Liszt: Buch der Lieder II, S. 535-540: II. Comment, disaient-ils, S. 535 Classical

Liszt: Buch der Lieder II, S. 535-540: III. Enfant, si j'étais roi, S. 537 Classical

Liszt: Buch der Lieder II, S. 535-540: IV. S'il est un charmant gazon, S. 538 Classical

Liszt: Buch der Lieder II, S. 535-540: V. La tombe et la rose, S. 539 Classical

Liszt: Buch der Lieder II, S. 535-540: VI. Gastibelza, S. 540 Classical

Liszt: Die Loreley, S. 532 (Version for Piano of S. 273/2) Classical

Liszt: Marche turque des Ruines d'Athènes, S. 388a Classical

Liszt: Pastorale. Schnitter-Chor aus dem Entfesselten Prometheus, S. 508 Classical

Liszt: Einsam bin ich, nicht alleine. Volkslied aus dem Schauspiel Preciosa, S. 453 (After Weber) Classical

Liszt: Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum, S. 410 Classical

Liszt: Fantasie über Motive aus Beethovens Ruinen von Athen, S. 389 Classical

Liszt: Symphonisches Zwischenspiel zu "Über allen Zauber Liebe" von Eduard Lassen, S. 497 Classical

Liszt: Aus der Musik zu Hebbels Nibelungen und Goethes Faust, S. 496: Nibelungen No. 1. Hagen und Kriemhild Classical

Liszt: Aus der Musik zu Hebbels Nibelungen und Goethes Faust, S. 496: Nibelungen No. 2. Bechlarn Classical

Liszt: Aus der Musik zu Hebbels Nibelungen und Goethes Faust, S. 496: Faust No. 1. Osterhymne Classical

Liszt: Aus der Musik zu Hebbels Nibelungen und Goethes Faust, S. 496: Faust No. 2. Hoffest. Marsch und Polonaise Classical

Liszt: Capriccio alla turca sur des motifs de Beethoven [Ruines d'Athènes], S. 388 Classical

Liszt: Illustrations du Prophète de Meyerbeer, S. 414: I. Prière – Hymne triomphal – Marche du sacre Classical

Liszt: Illustrations du Prophète de Meyerbeer, S. 414: II. Les patineurs. Scherzo Classical

Liszt: Illustrations du Prophète de Meyerbeer, S. 414: III. Pastorale – Appel aux armes Classical

Liszt: Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 624 (Version for Piano 4 Hands): I. Fantasy Classical

Liszt: Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 624 (Version for Piano 4 Hands): II. Adagio Classical

Liszt: Fantasy & Fugue on "Ad nos, ad salutarem undam", S. 624 (Version for Piano 4 Hands): III. Fugue Classical

Liszt: Spirto gentil, S. 400a (After Donizetti) Classical

Liszt: Marche funèbre de l'opéra Dom Sébastien de Donizetti, S. 402 Classical

Liszt: Die Rose from "Zemire und Azor", S. 571 (After Spohr) Classical

Liszt: Spinning Song from Der fliegende Holländer, S. 440 (After Wagner) Classical

Liszt: Ballade aus Der fliegende Holländer, S. 441 (After Wagner) Classical

Liszt: Pilgrims' Chorus from Tannhäuser, S. 443 (1st Version, After Wagner) Classical

Liszt: O du, mein holder Abendstern aus der Oper Tannhäuser, S. 444 (After Wagner) Classical

Liszt: Aus Richard Wagners Der Ring des Nibelungen. Walhall, S. 449 Classical

Liszt: Feierlicher Marsch zum heiligen Gral aus dem Bühnenweihfestspiel Parsifal, S. 450 (After Wagner) Classical

Liszt: Les Sabéennes, Berceuse de l'opéra "La reine de Saba" de Gounod, S. 408 Classical

Liszt: Fantasie sur l'opéra hongroise Szép Ilonka de Mosonyi, S. 417 Classical

Liszt: Bunte Reihe, S. 484: No. 1 in C Major. Scherzo Classical

Liszt: Bunte Reihe, S. 484: No. 2 in C Minor. Erinnerung Classical

Liszt: Bunte Reihe, S. 484: No. 3 in D-Flat Major. Mazurka Classical

Liszt: Bunte Reihe, S. 484: No. 4 in C-Sharp Minor. Tanz Classical

Liszt: Bunte Reihe, S. 484: No. 5 in D Major. Kinderlied Classical

Liszt: Bunte Reihe, S. 484: No. 6 in D Minor. Capriccio Classical

Liszt: Bunte Reihe, S. 484: No. 7 in E-Flat Major. Bolero Classical

Liszt: Bunte Reihe, S. 484: No. 8 in E-Flat Minor. Elegie Classical

Liszt: Bunte Reihe, S. 484: No. 9 in E Major. Marsch Classical

Liszt: Bunte Reihe, S. 484: No. 10 in E Minor. Toccata Classical

Liszt: Bunte Reihe, S. 484: No. 11 in F Major. Gondellied Classical

Liszt: Bunte Reihe, S. 484: No. 12 in F Minor. Im Sturm Classical

Liszt: Bunte Reihe, S. 484: No. 13 in F-Sharp Major. Romanze Classical

Liszt: Bunte Reihe, S. 484: No. 14 in F-Sharp Minor. Allegro agitato Classical

Liszt: Bunte Reihe, S. 484: No. 15 in G Major. Menuetto Classical

Liszt: Bunte Reihe, S. 484: No. 16 in G Minor. Etude Classical

Liszt: Bunte Reihe, S. 484: No. 17 in A-Flat Major. Intermezzo Classical

Liszt: Bunte Reihe, S. 484: No. 18 in G-Sharp Minor. Serenade Classical

Liszt: Bunte Reihe, S. 484: No. 19 in A Major. Ungarisch Classical

Liszt: Bunte Reihe, S. 484: No. 20 in A Minor. Tarantelle Classical

Liszt: Bunte Reihe, S. 484: No. 21 in B-Flat Major. Impromptu Classical

Liszt: Bunte Reihe, S. 484: No. 22 in B-Flat Minor. In russischer Weise Classical

Liszt: Bunte Reihe, S. 484: No. 23 in B Major. Lied Classical

Liszt: Bunte Reihe, S. 484: No. 24 in B Minor. Capriccio Classical

Liszt: Bunte Reihe, S. 484: No. 19a in A Major. Ungarisch (Fantasy on the Theme of No. 19) Classical

Liszt: Adelaïde, S. 466c (After Beethoven, Op. 46): I. Einsam wandelt dein Freund Classical

Liszt: Adelaïde, S. 466c (After Beethoven, Op. 46): II. Cadenza ad libitum Classical

Liszt: Adelaïde, S. 466c (After Beethoven, Op. 46): III. Einst, o Wunder! Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): I. Gottes Macht und Vorsehung Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): II. Bitten Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): III. Busslied Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): IV. Vom Tode Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): V. Die Liebe des Nächsten Classical

Liszt: Geistliche Lieder von Gellert, S. 467 (After Beethoven, Op. 48): VI. Die Ehre Gottes aus der Natur Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): I. Auf dem Hügel sitz' ich, spähend Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): II. Wo die Berge so blau Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): III. Leichte Segler in den Höhen Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): IV. Diese Wolken in den Höhen Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): V. Es kehret der Maien, es blühet die Au Classical

Liszt: An die ferne Geliebte, S. 469 (Arr. for Solo Piano After Beethoven, Op. 98): VI. Nimm sie hin denn, diese Lieder Classical

Liszt: Beethovens Lieder von Goethe, S. 468: I. Mignon (After Op. 75/1) Classical

Liszt: Beethovens Lieder von Goethe, S. 468: II. Mit einem gemalten Bande (After Op. 83/3) Classical

Liszt: Beethovens Lieder von Goethe, S. 468: III. Freudvoll und leidvoll (After Op. 84/4) Classical

Liszt: Beethovens Lieder von Goethe, S. 468: IV. Es war einmal ein König (After Op. 75/3) Classical

Liszt: Beethovens Lieder von Goethe, S. 468: V. Wonne der Wehmut (After Op. 83/1) Classical

Liszt: Beethovens Lieder von Goethe, S. 468: VI. Die Trommel gerühret (After Op. 84/1) Classical

Liszt: Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) Classical

Liszt: Mendelssohns Lieder, S. 547: II. Sonntagslied (After Op. 34/5) Classical

Liszt: Mendelssohns Lieder, S. 547: III. Reiselied (After Op. 34/6) Classical

Liszt: Mendelssohns Lieder, S. 547: IV. Neue Liebe (After Op. 19a/4) Classical

Liszt: Die Legende der heiligen Elisabeth, S. 498a: I. Orchester Einleitung Classical

Liszt: Die Legende der heiligen Elisabeth, S. 498a: II. Marsch der Kreuzritter Classical

Liszt: Die Legende der heiligen Elisabeth, S. 498a: III. Interludium Classical

Liszt: Christus, 2 Sätze aus dem Oratorium, S. 498b: I. Hirtengesang an der Krippe Classical

Liszt: Christus, 2 Sätze aus dem Oratorium, S. 498b: II. Die heiligen drei Könige. – Marsch Classical

Liszt: Polonaises de l'oratorio St Stanislas, S. 519: Polonaise No. 1 Classical

Liszt: Polonaises de l'oratorio St Stanislas, S. 519: Polonaise No. 2 Classical

Liszt: Salve Polonia. Interludium aus dem Oratorium Stanislaus, S. 518 (Arr. of S. 113/2) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: Ia. Prelude in A Minor (After BWV 543) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: Ib. Fugue in A Minor (After BWV 543) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IIa. Prelude in C Major (After BWV 545) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IIb. Fugue in C Major (After BWV 545) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IIIa. Prelude in C Minor (After BWV 546) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IIIb. Fugue in C Minor (After BWV 546) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IVa. Prelude in C Major (After BWV 547) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: IVb. Fugue in C Major (After BWV 547) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: Va. Prelude in E Minor (After BWV 548) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: Vb. Fugue in E Minor (After BWV 548) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: VIa. Prelude in B Minor (After BWV 544) Classical

Liszt: 6 Preludes & Fugues by J.S. Bach Arranged for Piano, S. 462: VIb. Fugue in B Minor (After BWV 544) Classical

Liszt: Fantasia & Fugue in G Minor, S. 463/2 (After Bach, BWV 542): I. Fantasie Classical

Liszt: Fantasia & Fugue in G Minor, S. 463/2 (After Bach, BWV 542): II. Fuge Classical

Liszt: 5 Ungarische Volkslieder, S. 245: I. Lassan. Lento Classical

Liszt: 5 Ungarische Volkslieder, S. 245: II. Mérsekélve. Allegretto Classical

Liszt: 5 Ungarische Volkslieder, S. 245: III. Lassan. Andante Classical

Liszt: 5 Ungarische Volkslieder, S. 245: IV. Kissé élénken. Vivace Classical

Liszt: 5 Ungarische Volkslieder, S. 245: V. Búsongva. Lento Classical

Liszt: Historische ungarische Bildnisse, S. 205: I. Széchényi István Classical

2021

Sonata No. 1 in B-Flat Minor, Op. 74: I. Allegro moderato Classical

Sonata No. 1 in B-Flat Minor, Op. 74: II. Andante Classical

Sonata No. 1 in B-Flat Minor, Op. 74: III. Finale (Allegro scherzando) Classical

Sonata No. 2 in E Minor, Op. 75: I. Moderato Classical

Sonata No. 2 in E Minor, Op. 75: II. Scherzo (Allegretto) Classical

Sonata No. 2 in E Minor, Op.75: III. Finale (Allegro moderato) Classical

Grand Concert Waltz in E-Flat Major, Op. 41 Classical

Variations on a Finnish Folk Song, Op. 72 Classical

Prelude, Caprice-Impromtu and Gavotte, Op. 49: I. Prelude Classical

Prelude, Caprce-Impromptu and Gavotte, Op. 49: II. Caprice-Impromptu Classical

Prelude, Caprce-Impromptu and Gavotte, Op. 49: III. Gavotte Classical

Three Studies, Op. 31: I. No. 3 'Night' Classical

Three Studies, Op. 31: II. No. 1 Classical

Three Studies, Op. 31: III. No. 2 Classical

Prelude and Fugue, Op. 62 Classical

Barcarolle and Novelette, Op. 22: I. Barcarolle Classical

Barcarolle and Novelette, Op. 22: II. Novelette Classical

2018

'Eroica' Variations in E-Flat Major, Op. 35: 1. Introduzione Col Basso Del Tema Classical

'Eroica' Variations in E-Flat Major, Op. 35: II. A due Classical

'Eroica' Variations in E-Flat Major, Op. 35: III. A tre Classical

'Eroica' Variations in E-Flat Major, Op. 35: IV. A quattro Classical

'Eroica' Variations in E-Flat Major, Op. 35: V. Tema Classical

'Eroica' Variations in E-Flat Major, Op. 35: VI. Variation 1 Classical

'Eroica' Variations in E-Flat Major, Op. 35: VII. Variation 2 Classical

'Eroica' Variations in E-Flat Major, Op. 35: VIII. Variation 3 Classical

'Eroica' Variations in E-Flat Major, Op. 35: IX. Variation 4 Classical

'Eroica' Variations in E-Flat Major, Op. 35: X. Variation 5 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XI. Variation 6 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XII. Variation 7 - Canone all'ottava Classical

'Eroica' Variations in E-Flat Major, Op. 35: XIII. Variation 8 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XIV. Variation 9 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XV. Variation 10 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XVI. Variation 11 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XVII. Variation 12 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XVIII. Variation 13 Classical

'Eroica' Variations in E-Flat Major, Op. 35: XIX. Variation 14 - Minore Classical

'Eroica' Variations in E-Flat Major, Op. 35: XX. Variation 15 - Maggiore - Largo - Coda Classical

'Eroica' Variations in E-Flat Major, Op. 35: XXI. Finale - Alla Fuga- Allegro con brio - Andante con moto Classical

The Creatures of Prometheus, Op. 43: I. Ouverture - Adagio - Allegro molto e con brio Classical

The Creatures of Prometheus, Op. 43: II. Introduction - La tempesta- Allegro non troppo Classical

The Creatures of Prometheus, Op. 43: III. Act I No. 1 Classical

The Creatures of Prometheus, Op. 43: IV. Act I No. 2 Classical

Ce qu'on entend sur la montagne, S. 635 Classical

Tasso - Lamento e trionfo, S. 636 Classical

Les préludes, S. 637 Classical

Orpheus, S. 638 Classical

Prometheus, S. 639 Classical

Mazeppa, S. 640 Classical

Festklänge, S. 641 Classical

Héroïde-funèbre, S. 642 Classical

Hungaria, S. 643 Classical

Hamlet, S. 644 Classical

Hunnenschlacht, S. 645 Classical

Die Ideale, S. 646 Classical

Preludio funebre, S. 205b Classical

Album-Leaf “Dublin”, S. 164r Classical

Essai sur l’indifference, S. 692p/2 Classical

2016

Primrose Hill Promenade Classical

Stoic Melancholy Classical

The Breeze of Song Classical

The Teddy Bears Up West Classical

Heartsease Classical

Wistful Toccata Classical

Froth and Bubble Classical

Inconsolate Classical

Fluorescent Socks Classical

Iron Bells Classical

Motoring Classical

Lamentation Classical

An Edwardian Love Letter Classical

Determination Classical

Home Chimes Classical

On the Footplate Classical

Flying Homeward Classical

A Fallen Soldier Classical

Indolent Contentment Classical

Sweet Cajolery Classical

Meadowsweet Classical

Defiant Obstinacy Classical

Languid Tune Hunting Classical

In a Passion Classical

Sentimental Waltz Classical

2015

Minuet in G, K. 1 Classical

Minuet in F Major, K. 2 Classical

Allegro in B-Flat Major, K. 3 Classical

Minuet in F Major, K. 4 Classical

Minuet in F Major, K. 5 Classical

Minuet in D Major, K. 355 Classical

Minuet in E-Flat Major, WoO 82 Classical

Bagatelle in C Major, WoO 56 Classical

Album für die Jugend, Op. 68, Pt. I: No. 1, Melody Classical

Album für die Jugend, Op. 68, Pt. I: No. 2, Soldiers' March Classical

Album für die Jugend, Op. 68, Pt. I: No. 8, The Wild Horseman Classical

Album für die Jugend, Op. 68, Pt. I: No. 10, The Merry Peasant Classical

Album für die Jugend, Op. 68, Pt. I: No. 11, Siciliana Classical

Album für die Jugend, Op. 68, Pt. I: No. 12, Knight Rupert Classical

Lyric Pieces, Book 5, Op. 54: No. 1, Shepherd's Boy Classical

Lyric Pieces, Book 5, Op. 54: No. 2, Norwegian March Classical

Lyric Pieces, Book 5, Op. 54: No. 4, Notturno Classical

Lyric Pieces, Book 5, Op. 54: No. 3, March of the Dwarfs Classical

Lyric Pieces, Book 8, Op. 65: No. 6, Wedding day at Troldhaugen Classical

Suite "In a Nutshell": 1. Arrival Platform Humlet Classical

Suite "In a Nutshell": 2. Gay but Wistful Classical

Suite "In a Nutshell": 3. Pastoral Classical

Suite "In a Nutshell": 4. "The Gum-Suckers" March Classical

The Immovable Do (The Cyphering C) Classical

In Dahomey Classical

Walking Tune Classical

Spoon River Classical

My Robin Is to the Greenwood Gone Classical

The Hunter in His Career Classical

Hard-Hearted Barb’ra (H)ellen Classical

Eastern Intermezzo Classical

Children’s March "Over the Hills and Far Away" Classical

Mock Morris Classical

Peace - Saxon Twiplay Classical

Scotch Strathspey and Reel Classical

Three Scotch Folksongs Classical

Sailor’s Song Classical

Blithe Bells Classical

Cradle Song (Wiegenlied) [Arr. Percy Grainger] Classical

Hornpipe (Arr. Percy Grainger) Classical

Ramble on the Last Love-Duet in Richard Strauss’ Opera ‘The Rose-Bearer’ (Arr. Percy Grainger) Classical

The Man I Love (Arr. Percy Grainger) Classical

Love Walked In (Arr. Percy Grainger) Classical

Nell (Arr. Percy Grainger) Classical

To a Nordic Princess Classical

2014

Grand Heroical March Classical

Ruddigore, Op. 40 Classical

Piano Sonata No. 3, Op. 34 Fantasy Sonata. Hamlet Classical

L'Allegro, il Penseroso ed il Moderato, HWV 55: Come, but Keep Thy Wonted State Classical

Piano Sonata, Op. 21 Classical

2011

Lux Radio Theatre: The Scarlet Pimpernel (December 12, 1938) Classical

Lux Radio Theatre: Monsieur Beaucaire (June 21, 1937) Classical

Screen Guild Theater: Never In This World (March 26, 1939) Classical

Silver Theater: Study In Triangles (January 8, 1939) Classical

Columbia Presents Shakespeare: Much Ado About Nothing (July 19, 1937) Classical

Texaco Town: Three Pair Of Rubbers (December 6, 1936) Classical

Texaco Town: Eddie Cantor's Hamlet (February 14, 1937) Classical

Fleischmann's Yeast Hour: Enchanted Forest (June 27, 1935) Classical

Wilde Jagd: Scherzo, S. 176a Classical

Marche des pèlerins chantant la prière du soir de la Symphonie d'Harold, S. 473i Classical

Album-Leaf: Moderato in D-flat major, S. 164k Classical

2009

Call Me Back, Pal o' Mine Classical

The Scarlet Pimpernel Classical

Presto In The Style Of Haydn Classical

Valse Lente In The Style Of Satie Classical

Chant D'Automne In The Style Of Grieg Classical

Scherzo In The Style Of Mendelssohn Classical

Folk-Dance In The Style Of Bartok Classical

Barcarolette In The Style Of Faure Classical

Sonata In The Style Of Scarlatti Classical

Marcia Funebre In The Style Of Beethoven Classical

Arabesque In The Style Of Schumann Classical

Blue Melody In The Style Of Gershwin Classical

Ländler In The Style Of Schubert Classical

Gavotte In The Style Of Prokofiev Classical

Intermezzo In The Style Of Brahms Classical

Moment Musical In Style Of Rachmaninov Classical

Esquisse In The Style Of Debussy Classical

Passacaille In The Style Of Pachelbel Classical

Mazurka In The Style Of Chopin Classical

Poeme In The Style Of Scriabin Classical

Andante Nobilmente In The Style Of Elgar Classical

Fuga Alla Giga In The Style Of Bach Classical

Tempo Di Minuetto In The Style Of Mozart Classical

Galop In The Style Of Shostakovich Classical

Piece Espagnole In The Style Of Ravel Classical

Etude In The Style Of Liszt Classical

2004

Promenade “Walking the Dog” Classical

2002

Zigeuner-Epos, S. 695b: No. 1 in C minor. Lento Classical

1999

Rapsodies hongroises, S. 244: No. 17 in D minor Classical

Vierter Mephisto-Walzer, S. 216b Classical

Canzonetta del Salvator Rosa, S. 157c Classical

Magyar Rapszódia, S. 244/16i Classical

Operatic aria, S. 701h/1 Classical

Fantasie über englische Themen, S. 694 Classical

Album-Leaf in A flat, S. 166c Classical

Valse, S. 210b Classical

Orgel-Fantasie und Fuge in G-moll, S. 463i: II. Fugue Classical

Album-Leaf in C minor (Pressburg), S. 163c Classical

1998

"Wanderer" Fantasy in C major, S. 565a: I. Allegro con fuoco ma non troppo Classical

Sposalizio, S. 157a Classical

Ungarischer Romanzero, S. 241a: No. 5 in D minor Classical

Ungarischer Romanzero, S. 241a: No. 7 in A major Classical

Weihnachtsbaum, S. 185a: IX. [Abendglocken] Classical

1997

Sonata no. 2 in C-sharp minor, op. 80: III. Scherzo. Allegro vivo Classical

Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 7: Versus. Dies sanctificatus Classical

Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 3: Ecce vidimus Classical

Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 9: Versus. Collegerunt Pontifices Classical

Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 5. Responsorium 3: Vinea mea electa Classical

Deux Morceaux, op. 30: No. 1 in F minor: Premiere Barcarolle (Moderato) Classical

Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 8. Responsorium 4: Versus. Cumque injecissent Classical

Trois Caprices, op. 21: No. 1 in F-sharp major: Allegretto scherzando Classical

Symphony no. 5 in C minor, op. 67, S. 463a: II. Andante con moto (- Più mosso - Tempo I) Classical

Marche au supplice de la Symphonie fantastique, S. 470a: Introduction - L'idée fixe Classical

Harmonies poétiques et religieuses, S. 172a: No. 4. Litanies de Marie Classical

Grand Sonata no. 3 in G major, op. 37: IV. Finale. Vivace Classical

Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 19. Responsorium 9 reprise Classical

Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9: Versus 2. Requiem aeternam Classical

1996

Trois études de concert - Trois caprices poétiques, S. 144: [two short cadenzas for no. 3] Classical

La marche pour le Sultan Abdul Médjid-Khan, S. 403 Classical

Tanzmomente no. 4 in A major, S. 492/4bis (alternative text) Classical

Trois études de concert - Trois caprices poétiques, S. 144: No. 2 in F minor "La leggierezza" Classical

Zwei Episoden aus Lenaus Faust: Der nächtliche Zug, S. 513a Classical

Zigeuner-Polka d'August Conradi, S. 481 Classical

1995

Zwölf Lieder von Franz Schubert aus Winterreise, S. 561: 9. Täuschung Classical

Zwölf Lieder von Franz Schubert aus Winterreise, S. 561: 11. Der stürmische Morgen Classical

Müllerlieder von Franz Schubert, S. 565bis: 6. Ungeduld Classical

Die Forelle, S. 563/6bis Classical

Two Transcriptions for Sophie Menter: Marche hongroise, S425/2iv Classical

Vier geistliche Lieder, S. 562: 4. Hymne (Geisterchor aus "Rosamunde") Classical

Schwanengesang, S. 560: 7. Ständchen "Leise flehen" Classical

Douze grandes études, S 137: No. 5 in B-flat major (Equalmente) Classical

Douze grandes études, S 137: No. 6 in G minor (Largo patetico) Classical

Zwölf Lieder von Fr. Schubert, S. 558: 6. Die junge Nonne Classical

Zwölf Lieder von Fr. Schubert, S. 558: 12. Ave Maria [Ellens dritter Gesang] Classical

Zwölf Lieder von Franz Schubert aus Winterreise, S. 561: 12. Im Dorfe Classical

Zwölf Lieder von Franz Schubert aus Winterreise, S. 561: 10. Das Wirtshaus Classical

1994

Csárdás, S. 225 no. 1 Classical

Étude en douze exercices, op. 6, S. 136: No. 5 in B-flat major Classical

Magyar dalok, S. 242: No. 11 in B-flat major Classical

La Marseillaise, S. 237 Classical

Sept variations brillantes sur un thème de Rossini, op. 2, S. 149 Classical

Festvorspiel, S. 226 Classical

Magyar rapszódiák, S. 242: No. 17 in A minor Classical

Scherzo in G minor, S. 153 Classical

Magyar dalok, S. 242: No. 5 in D-flat major Classical

1993

Liebesszene und Fortunas Kugel aus "Die sieben Todsünden", S. 490: 1. Liebesszene Classical

Beethovens Septett, S. 465: VI. Andante con moto alla marcia - Presto Classical

Deux Transcriptions d'après Rossini, S. 553: 1. Air du Stabat mater Classical

Symphony no. 8 in F major, op. 93, S. 464 no. 8: IV. Allegro vivace Classical

Symphony no. 3 in E-flat major, op. 55, S. 464 no. 3 "Sinfonia eroica": II. Marcia funebre. Adagio assai Classical

Von der Wiege bis zum Grabe, S. 512: Die Wiege Classical

1992

Fantasie über Motive aus Beethovens Ruinen von Athen, S. 389 Classical

Spinnerlied aus Der fliegende Holländer, S. 440 Classical

Pastorale - Schnitter-Chor aus dem Entfesselten Prometheus, S. 508 Classical

1991

Adelaïde von Beethoven, S. 466iii: Einsam wandelt dein Freund Classical

Piano Sonata in B minor, S. 178: Recapitulation Classical

Puszta Wehmut, S. 246 Classical

Historical Hungarian Portraits, S. 205: Mosonyi Mihály Classical

Five Hungarian Folksongs, S. 245: Lassan (Lento) Classical

Gretchen aus Faust-Symphonie, S. 513 Classical

Mendelssohns Lieder, S. 547: 2. Sonntagslied, op. 34 no. 5 Classical

Dessauers Lieder, S. 485: 1. Lockung Classical

Zwölf Lieder von Robert Franz, S. 489: III. Vier Lieder: 3. Das ist ein Brausen und Heulen, op. 8 no. 4 Classical

Zwölf Lieder von Robert Franz, S. 489: I. Schilflieder: 4. Sonnenuntergang, op. 2 no. 4 Classical

Zwölf Lieder von Robert Franz, S. 489: III. Vier Lieder: 2. Gewitternacht, op. 8 no. 6 Classical

Mendelssohns Lieder, S. 547: 4. Neue Liebe, op. 19a no. 4 Classical

1990

Via Crucis, S. 504a: Vexilla regis Classical

Choräle, S. 506a: Was Gott tut, das ist wohlgetan Classical

Isoldens Liebestod - Schluss-Szene aus Tristan und Isolde, S. 447 Classical

Marche des pèlerins – Chantant la prière du soir, S. 473 Classical

Piano Sonata no. 2 in C minor, op. 20: I. Allegro con moto Classical

1989

Trois Odes funèbres: Le Triomphe funèbre du Tasse, S. 517 Classical

Douze études d'exécution transcendante, S. 139: No. 11. Harmonies du soir Classical

Fantasie und Fuge über das Thema B-A-C-H, S. 529 Classical

Adagio in C Classical

1988

Impromptu, S. 191 Classical

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